The history of jazz is written as a recounting of the lives of its most famous (and presumably, most influential) artists. Reality is not so simple, however. Certainly the most important of the music's innovators are those whose names are known by all Armstrong, Parker, Young, Coltrane. Unfortunately, the jazz critic's tendency to inflate the major figures' status often comes at the expense of other musicians' reputations men and women who have made significant, even essential, contributions of their own, who are, for whatever reason, overlooked in the mad rush to canonize a select few.
One has a tendency to think of acts like the Pretty Things in terms of their albums, primarily because most of their singles simply never charted, even in England (and many were never even heard of in the United States), and the albums have been easier to find over the decades since. Actually, it was singles that best defined what most bands were about at the point that the Pretty Things first got together, and they never stopped neglecting that category of release – hence, this three-CD set containing the product of 33 singles (66 sides) over a period of 35 years, from 1964 through 1999.
The soundtrack to the Queen biopic will please both casuals and obsessives. For the former, lots of hits: “Crazy Little Thing Called Love,” “Under Pressure,” and, of course, the grandiose title track among them. And for the latter, Queen struts out rare live tracks and fresh updates to classics. “We Will Rock You” merges a studio and live performance, “Don’t Stop Me Now” features newly recorded guitar parts from Brian May. The surviving members of Queen also recorded their very own arrangement of the famous 20th Century Fox theme. But the biggest jewel in the crown is the addition of five songs from the band’s dramatic 1985 Live Aid performance—a faithful re-creation of which serves as the movie's climax—now available for the first time. Ayyy-oh!
…The Sea & The Beast is a record like no other I have ever encountered. It's energetic, it's slow, it's fun, it's sad, it's quirky, it's cohesive, and it all makes for a magnificent mix in emotions, sounds, and in the music as a whole. (…) This glows with originality and if anything, get this album just for the sake of encountering a musical experience previously unheard. Band Marino can be proud of this strong indie release.
Adventure are a Norwegian project from Trondheim started by Terje Flessen and Odd Roar Bakken in the mid nineties. They both liked the same 70s' style progressive/classic rock and wanted to take their music to a higher level. In the beginning a studio project only which resulted in their self titled debut album in 2004. This was followed in 2009 by Beacon of Light. In 2014 they're back after a break and some changes in the line-up with a brand new album entitled 'Caught In the Web". Stylistically, the music on the album contains influences of Uriah Heep, Deep Purple, Jethro Tull, Camel, Pink Floyd and a whiff of Kansas. The result is an album containing music from classic rock to symphonic prog with a folk flair…
Imagine that years after your favorite television series had ended (be it Seinfeld, The Sopranos, Stath Lets Flats, Twin Peaks or any other), you learned that additional episodes had been shot during the show’s best years and were about to be released in pristine quality. Would it matter that you had already watched dozens of episodes from the same season?
Great UK underground heavy psych rock album from 1969 recorded by a trio from Lancashire. Well structured songs with fine melodies similar in places to Cream but with the odd swathe of mellotron lending an early progressive touch. Much loved by collectors of UK underground music this album is well worth checking out…Highly recommended.