Along with Charles Mingus, Thelonious Monk and Horace Silver, the prolific Benny Golson created some of the most memorable compositions in the jazz repertoire. This reissue features his first albums as a leader, and many of his most familiar originals are to be found here. In a 1958 Downbeat article Ralph Gleason highlighted “the extraordinary attention jazz musicians are currently paying to his compositions”. Indeed by the early 60s it seemed that every rehearsal band in the UK and everyone on the jazz club circuit had at least three or four of his originals in the book…
Sessions in any genre of music are all too often described as "sublime," but seldom has that description been better deserved than with this relaxed hard bop classic. One looks to other catchalls such as "effortless" and "loose," but even those slight this amazing date by implying a lack of intensity - and intensity comes in all forms. For all intents and purposes, this is the first recorded meeting of what would become the famous Benny Golson/Art Farmer Jazztet (albeit without Farmer), a group most commonly associated with its 1960 Chess session, Meet the Jazztet. Curtis Fuller's next date, The Curtis Fuller Jazztet, and his appearance on the Chess date, only compound this point. Like perhaps Jimmy Smith's flagship, The Sermon, Blues-ette's brilliance manifests itself not only within the individual solos but also in the way the group functions as a collective…
Recorded at the same sessions as Real Time, this set features a reunion by the Jazztet, a classic sextet that originally broke up in 1963 due to lack of work. Twenty-three years later, flugelhornist Art Farmer and trombonist Curtis Fuller are heard playing in their unchanged styles while tenor-saxophonist Benny Golson (who had evolved from a Don Byas-type approach to a sound influenced by Archie Shepp) is in fine form. With pianist Mickey Tucker, bassist Ray Drummond and drummer Marvin "Smitty" Smith completing the group, the band plays four lesser-known Golson compositions, Farmer's "Write Soon" and the standard "Speak Low." Timeless hard bop music.
In an illustrious recording that spanned 50 years (1948-98), art Farmer seldom failed to impress. Whereas his contemporaries were obsessed with speed, having heard Freddie Webster, Farmer decided to concentrate on perfecting his already warm and melodic sound which would became even more personalized when switching to flugelhorn in the early 1960s. From 1966, farmer divided his time between New York and Wien. So high was his profile in Europe that from 1981 until 1987 he recorded five albums for BlackSaint/Soul Note (including one with the reassembled Jazztet) plus a duo with pianist Enrico Pieranunzi.