The Designated Victim (1971) Maurizio Lucidi, Tomas Milian, Pierre Clémenti, Katia Christine

The Trip were but one of many Italian bands combining rock, classical, jazz, pop and folk to produce what is now known as the Italian rock renaissance. They are another three man classical rock band in the realm of the Nice and Le Orme. All four of their albums are completely different and bear the stamp of another international group or movement. "Caronte" was considered their best album by psych collectors. On their third, "Atlantide", The Trip looks squarely at Emerson, Lake & Palmer for inspiration. The both are recommended to ELP or Le Orme fans.

This home-made and self-produced platter was issued by Roy Buchanan (guitar/vocals) after being rejected by Polydor. The artist decided to privately distribute the album on his own BIOYA label, whose initials stood for the message that Buchanan had for Polydor – B(low) I(t) O(ut) Y(our) A(ss). For obvious contractual reasons, his name wasn't even intimated on the burlap bag (no joke) that housed first pressings of the 12" platter – which was sold only at "underground" stores, head shops, and Buchanan's gigs. The music within the grooves proved to be equally as rustic and authentic as the packaging would suggest…

On Yes' first two albums, Yes (1969) and Time and a Word (1970), the quintet was mostly searching for a sound on which they could build, losing one of their original members – guitarist Peter Banks – in the process. Their third time out proved the charm – The Yes Album constituted a de facto second debut, introducing the sound that would carry them forward across the next decade or more…

On Yes' first two albums, Yes (1969) and Time and a Word (1970), the quintet was mostly searching for a sound on which they could build, losing one of their original members – guitarist Peter Banks – in the process. Their third time out proved the charm – The Yes Album constituted a de facto second debut, introducing the sound that would carry them forward across the next decade or more…

The Band weren't planning on making an album when they started work on their fourth LP, 1971's Cahoots. Their manager, Albert Grossman, was building a recording studio in Woodstock, New York, where the members of the Band lived, and he invited them over to try the place out as finishing touches were being put on the studio…

Released in 1994 to coincide with the Stones' catalog moving to Virgin Records, as well as the accompanying remastering of their Rolling Stone Records catalog (1971's Sticky Fingers through 1989's Steel Wheels – actually 1991's Flashpoint, which is the last Rolling Stones Records release, but isn't featured here), Jump Back supplants Rewind as the best single-disc overview of the Stones' '70s and '80s recordings. The nonchronological order at times is a little irritating – bouncing between "Brown Sugar," "Harlem Shuffle," "It's Only Rock 'n Roll (But I Like It)," "Mixed Emotions," and "Angie" nearly causes whiplash – but nearly all the big songs from this period are included. Yes, "She Was Hot" isn't here, along with a couple other singles that didn't catch hold, but this has everything that the casual follower could want, which makes up for the fact that it could have been sequenced better (that's what home programming and burners are for anyway).

The Road was a rock band that was formed in 1967. They had a hit in Greece with a cover of the Zombies song "She's Not There". They released further singles on the Kama Sutra label. They broke up in the 1970s…