Bad Girls marked the high-water mark in Donna Summer's career, spending six weeks at Number One, going double platinum, and spinning off four Top 40 singles, including the chart-topping title song and "Hot Stuff," which sold two million copies each, and the million-selling, Number Two hit "Dim All the Lights." Producers Giorgio Moroder and Pete Bellotte recognized that disco was going in different directions by the late '70s, and they gave the leadoff one-two punch of "Hot Stuff" and "Bad Girls" a rock edge derived from new wave. The two-LP set was divided into four musically consistent sides, with the rocksteady beat of the first side giving way to a more traditional disco sound on the second side, followed by a third side of ballads, and a fourth side with a more electronic, synthesizer-driven sound that recalled Summer's 1977 hit "I Feel Love."
"I Got Your Love" is a song by Donna Summer, released as a single on December 20, 2005. Earlier, the single was first premiered during an episode of Sex and the City in 2003 and later released both as a download single and on CD by the Mercury Records label. "I Got Your Love" became another dancefloor hit for Summer, reaching #4 on the US Club Play chart in early 2006…
Donna Summer's title as the "Queen of Disco" wasn't mere hype. Like many of her contemporaries, she was a talented vocalist trained as a powerful gospel belter, but she set herself apart with her songwriting ability, magnetic stage presence, and shrewd choice of studio collaborators, all of which resulted in sustained success. During the '70s alone, she topped the Billboard club chart 11 times with high-quality, often-high concept material that included the rapturous "Love to Love You Baby," the innovative "I Feel Love," and a radically transformed "MacArthur Park." These crossover hits embodied the disco era with audacious musicality and uninhibited eroticism. After her subgenre was declared dead, Summer was very much part of the evolution of dance music. Through the feminist anthem "She Works Hard for the Money," she became an MTV star, and she continued to top the club chart with disco-rooted house singles through 2010, 35 years after her breakthrough. Indeed, she was the ultimate disco diva.
In the late '80s, the Mike Stock/Matt Aitken/Pete Waterman team was as important to European dance-pop as Giorgio Moroder and Pete Bellotte had been to Euro-disco in the late '70s. Many pop critics hated Stock/Aitken/Waterman's slick, high-gloss approach with a passion, but what critics like and what the public buys are often two different things – and the British team had the Midas touch when it came to Dead or Alive, Samantha Fox, Rick Astley, and other '80s favorites. So, for Donna Summer, working with them was a logical decision when, in 1989, she made a temporary return to a Euro-dance-pop setting.