The Doorman (2020)

Aldo Shllaku is a classically-trained film and TV composer. Growing up in an artistic family, Aldo underwent a rigorous music education at a young age, both classical training as well as through an exposure to the rich sounds at the crossroads of Balkan culture. As one of the harshest communist regimes was on the brink of collapse, Aldo left Albania in pursuit of a better future: first to Greece and then Canada.

London, 1979. From the rubble and ashes of punk a new youth cult was emerging. Divinely inspired by Bowie, Roxy Music and Kraftwerk, a new tribe the press started labelling New Romantics, or Futurists, discarded punk’s old-hat claims towards authenticity and protest, in pursuit of glamour, make-up, dressing up and dancing. Their home was The Blitz Club, a tiny wine bar at the edge of Covent Garden and what went on there between 1979 and 1980 would genuinely change the world. The other name for this cult? Blitz Kids. Without necessarily knowing it, The Blitz was birthing the next wave of British pop stars. A young Boy George ran the cloakroom, its host and doorman was a young Steve Strange, soon-to-be the frontman of Visage, Spandau Ballet played their first gig there and on a given night you might find yourself dancing next to a member of Ultravox. Fashion designers in Regency ballgowns mingled with secretaries in rubber, post boys dressed as Biggles danced next to art school kids dressed as Pierrot. David Bowie assembled his extras for the ‘Ashes To Ashes’ video from the Blitz kids. Mick Jagger was refused entry. Too square.

London, 1979. From the rubble and ashes of punk a new youth cult was emerging. Divinely inspired by Bowie, Roxy Music and Kraftwerk, a new tribe the press started labelling New Romantics, or Futurists, discarded punk’s old-hat claims towards authenticity and protest, in pursuit of glamour, make-up, dressing up and dancing. Their home was The Blitz Club, a tiny wine bar at the edge of Covent Garden and what went on there between 1979 and 1980 would genuinely change the world. The other name for this cult? Blitz Kids. Without necessarily knowing it, The Blitz was birthing the next wave of British pop stars. A young Boy George ran the cloakroom, its host and doorman was a young Steve Strange, soon-to-be the frontman of Visage, Spandau Ballet played their first gig there and on a given night you might find yourself dancing next to a member of Ultravox. Fashion designers in Regency ballgowns mingled with secretaries in rubber, post boys dressed as Biggles danced next to art school kids dressed as Pierrot. David Bowie assembled his extras for the ‘Ashes To Ashes’ video from the Blitz kids. Mick Jagger was refused entry. Too square.