The East Pointers

Motown’s legendary songwriting/production team, Holland-Dozier-Holland, left the fold in 1967, to establish their own Invictus/Hot Wax group of labels. They had worldwide hits with their flagship act, Chairmen Of The Board, debuted the first album by Parliament, as well as scoring a UK #1 with Freda Payne’s ‘Band of Gold…

After The Wildhearts split with the East West recording label, East West released this compilation album, unendorsed by the band. It was notable for including the UK CD debut of Beautiful Me, Beautiful You and 29 x The Pain '96. A more comprehensive release was issued in Japan in 1997.

On January 10th, 1969, the band took to the stage and looked out across a crowd of misfits and mischief-makers. One notable attendee of the event was none other than soon-to-be Modern Lover, Jonathan Richman.

WOMAD is the World of Music, Arts & Dance (founded by the musician Peter Gabriel in 1982), and WOMADelaide, the Australian WOMAD festival, kicked off in 1992. Over the past 20 years WOMADelaide has become one of the nation's favourite outdoor festivals. WOMAD takes place March 10th-13th at the Botanic Park, Adelaide. Featuring key acts performing at WOMAD such as Archie Roach, Sinkane, The Hot 8 Brass Band and The East Pointers.

35 years after its original release comes this 2 CD digipak edition of the band’s third studio album “Perhaps” plus related bonus tracks.
The Associates were leading lights of the New Pop movement from the early 1980’s. Hailing from Dundee on the east coast of Scotland, the band signed to Fiction Records before spells working with and recording for both Situation Two and WEA Records. Originally released in February 1985 after exhaustive recording sessions, Billy Mackenzie finally followed up the 1982 Associates album Sulk with this 10 track offering. The album was a long time in the making and featured four different producers, Heaven 17’s Martyn Ware, Martin Rushent, Dave Allen and Greg Walsh…

Five CD box set containing a quintet of original albums from this Blues/Rock/Pop outfit: "Live" Full House, Bloodshot, Ladies Invited, The J. Geils Band and The Morning After.

The Youngbloods could not be considered a major '60s band, but they were capable of offering some mighty pleasurable folk-rock in the late '60s, and produced a few great tunes along the way. One of the better groups to emerge from the East Coast in the mid-'60s, they would temper their blues and jug band influences with gentle California psychedelia, particularly after they moved to the San Francisco Bay Area…

Hootie & the Blowfish never were cut out to be superstars. They were meant to be the best band at the local bar. They were ordinary guys, and they played ordinary music, the kind that could be heard in any college town on the East Coast or Midwest during the early '90s when the local bar wasn't having grunge night. It was the ordinariness of the music on their 1994 debut, Cracked Rear View, that connected with millions of American listeners – they sounded like everybody's favorite local band. Once they were superstars, their bubble burst fairly quickly as the 1996 follow-up sold considerably fewer than the debut, and by the end of the decade, they had settled into a reliable routine of turning out modest records and touring steadily, without many people outside of their core fans noticing. Their popularity might have declined, but as the 2004 Atlantic/Rhino compilation The Best of Hootie & the Blowfish (1993 Thru 2003) illustrates, their music changed very little over the course of the decade, nor did the quality of their music decline.