Their first album, not available outside Australia until the 1990s. The Vanda/Young songwriting partnership had yet to dominate the band in their early days, and most of the (entirely original) material here comes from the pens of George Young and singer Stevie Wright. It's more Merseybeatish and less oriented toward power-pop and staccato guitar attacks than their subsequent releases, which isn't really detrimental; it doesn't scale the peaks the band would shortly climb, but neither does it have the overdone good-time mania that made some of their efforts hard to take in more than limited doses.
Their first album, not available outside Australia until the 1990s. The Vanda/Young songwriting partnership had yet to dominate the band in their early days, and most of the (entirely original) material here comes from the pens of George Young and singer Stevie Wright. It's more Merseybeatish and less oriented toward power-pop and staccato guitar attacks than their subsequent releases, which isn't really detrimental; it doesn't scale the peaks the band would shortly climb, but neither does it have the overdone good-time mania that made some of their efforts hard to take in more than limited doses.
This two-CD, 56-song anthology is an excellent value even at an import price. It contains all their Australian hits, lots of album tracks, and some rarities that don't show up very often, like the 1965 B-side "The Old Oak Tree."…
The Complete Easybeats from the Australian-based Albert Productions – the company to which the Easybeats were originally signed – is what it says, all of the group's authorized masters and all but a tiny handful of known outtakes, from their first Australian Parlophone sides to their last post-"Friday on My Mind" follow-ups, assembled on six CDs in a slipcase. Each of the discs is identical in title, packaging, and song content to the individual Repertoire Records reissues of the group's catalog from the early '90s, and what's more, so far as this writer can tell, the discs use the same early-'90s masters that were the sources for the Repertoire CDs.