“Recorded at the Innovations concert series in Montreal in 2005, this trio teams Evan Parker with the established duo of Benoit Delbecq and François Houle, who have been together for a decade. The pair is known to play a wide variety of music—from classical to world to jazz and improvisation—all of it extremely well. Both technically and temperamentally, they are suited to Parker; the threesome sound well-adjusted to each others' instincts, and should as this was not just a one-off meeting; there are plans for the threesome to tour in 2008. ” – album review on AllAboutJazz.com
Nine pieces of impulsive, on-the-fly sounds from a core trio of British legends: the saxophonist Evan Parker, improv/contemporary classical bassist Barry Guy and drummer Paul Lytton - joined by Agusti Fernandez, the most accomplished Catalan jazz pianist since the postbopper Tete Montoliu. Fernandez joined the long-suspended British trio in Barcelona last year to add a seamless Cecil Taylor-like sound-stream to fast tailchasers such as Coalescence, darkly sinister or nimbly banjo-like plucked-strings noises here and there, and scary, door-slam chords.
Eight soprano saxophone solos. The 2008 solo concert in Whitstable began as an invitation from artist Polly Read and film-maker Neil Henderson to collaborate on a joint work that included a concert in St.Peter's. These recordings are taken mostly from the concert but, as with LINES BURNT IN LIGHT, one piece was recorded before the audience arrived. These are the first recordings in what has become a series of visits to the church, which has perfect acoustics and is just around the corner from where recording wizard Adam Skeaping now lives. Watch this space.
This was one of the stranger recordings issued by Konnex at the time, in that the band listed as playing 4,4,4 (in five parts) isn't the only band on the record. After the quartet's five selections are played through, a new band consisting of Stevens with violinist Nigel Coombes and guitarist Roger Smith improvises "Surfaces" for over 23 minutes! There is no information on the front cover to denote such a thing. Oh well, those Brits. As for the seasoned quartet on "4,4,4," strange, haunting, and beautiful are the words that describe the result of their latest collaboration.
Various configurations of four jazz titans recorded live one evening during Cafe Oto’s early years.
Eleventh Hour is the fourth offering by Evan Parker's Electro-Acoustic Ensemble on ECM. The ensemble here numbers 11 members, six of whom are electronic sound sculptors and sound processors, with the remainder – including Philipp Wachsmann and Paul Lytton – are free jazz and new music improvisers. The title piece, in five parts, was commissioned by the Contemporary Arts Center in Glasgow, where the album was recorded.
35 years after the first album of the Schlippenbach trio and after numerous releases of live recordings, Schlippenbach-Parker-Lovens now present a studio recording of particular quality and atmosphere. GOLD IS WHERE YOU FIND IT shows that after years of co-operation and intensive common musical experience the Schlippenbach trio has reached its climax.
This is everything it ought to be. This high-test modern jazz trio taped a 1998 gig at Amsterdam's Bimhuis, and the members were happy enough with the results to release a double CD containing both sets in their entirety. Only a good jazz group could get away with something like this; so fear not, the Schlippenbach Trio is not just good, it is great.