A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
For the 100th anniversary of Emil Gilels, one of the greatest pianists of the 20th century, Firma Melodiya presents an anthology of his pianistic legacy.
Eggs Over Easy, the American band that invented pub rock, influenced the careers of Nick Lowe, Huey Lewis, Loudon Wainwright III and Elvis Costello, and laid the groundwork for a grass roots movement that would spawn UK punk, is finally getting its due with a deluxe 3xLP/2xCD set.
Echoes is a double-CD collection of some of Pink Floyd's best songs. It's also a fascinating document of the band's history. They began life as Syd Barrett's phantasmagoric plaything before clasping the wings of Icarus and ascending toward the sun on an epic space-rock odyssey, eventually turning left once they reached the dark side of the moon and burning up on reentry, crash-landing on every earthlings' home hi-fi. And it's all here–30 years of the Floyd's awesome back catalog trimmed down to two handsome CDs.
“Avant garde got soul too” - so opined drummer Charles Moffett with some amount of amusement through a composition title on album for Savoy in 1969. The controversial observation was likely shared if unstated by William Hooker, a generation younger and just getting his start in so-called fire music after an apprenticeship in soul jazz. Light directs an edifying and expansive beam on these efforts, bringing into focus a cache of recordings that trace the drummer’s development from journeyman to self-styled Griot. Adding up to well over four hours of music, the bulk of it is previously unreleased.
This is the ultimate collection of Alcatrazz - with all their original albums, official bootleg bonus tracks and footage from 2 live concerts, one of which is previously unreleased. There is also a collectors logo sticker and booklet outlining all these recordings including some unique photographs. A must for all Alcatrazz and Graham Bonnet fans. Although Alcatrazz provided Graham Bonnet with the perfect post-Rainbow/MSG platform, the real treasure within this jam-packed box set comes courtesy of two guitarists who would go on to rule the world of riffs. Listen to No Parole For Rock N Roll and it's clear where Yngwie Malmsteen was heading his contribution to a killer record sewed the seeds for the Swede's landmark album Odyssey.
Released in time for the 21st anniversary of the Rolling Stones' 1995 live album Stripped, Eagle Rock's Totally Stripped package focuses on the visual element. At its simplest, it's a CD/DVD set, with the DVD containing a documentary following the Stones through studio sessions and rehearsals for their club shows in London, Amsterdam, and Paris…
An album the majority of whose contents consists of harp arrangements of music by Philip Glass might seem a bit arcane for a major label, but it seems that Sony knows what it is doing here. The Glass Effect double album is one of those releases that succeed on two different levels, an explicit one and one that, although not mentioned, is perhaps even more important. The former level here is the one denoted by the title, as Meijer picks up the rather neglected theme of Philip Glass' influence by offering, on disc two, a group of works by younger composers who follow Glass in varying degrees but who, it's safe to say, wouldn't have the styles they do without Glass having gone before. Much of the album consists of arrangements by Meijer herself, and these include, at the end, a remix of music from Koyaanisqatsi that's delightful and would be spoiled by description. But there's also solo harp music: sample the Suite for Harp by progressive rock musician Bryce Dessner, who certainly seems to have absorbed Glass' style far enough to make it his own.