The Family

At the peak of their career, Sly & the Family Stone topped the charts with a Greatest Hits album – in 1970, it was their first LP to crack the Billboard Top 200, peaking at number two; an argument could be made that it was the LP that cemented their stardom – and over the years, they've been anthologized many times, almost each compilation worthwhile, but they've never been subjected to a comprehensive box set until Legacy's 2013 four-disc set Higher!…

It's easy to write off There's a Riot Goin' On as one of two things – Sly Stone's disgusted social commentary or the beginning of his slow descent into addiction. It's both of these things, of course, but pigeonholing it as either winds up dismissing the album as a whole, since it is so bloody hard to categorize…

Anthology essentially replicates the previous collection Greatest Hits and adds singles from There's a Riot Goin' On and Fresh to the end of the album. Where Greatest Hits didn't follow chronological order, Anthology presents every single in the order it was released – and, with the exception of the latter-day singles and the inclusion of "Don't Call Me Nigger, Whitey," that is the major difference between the two collections…

Fresh expands and brightens the slow grooves of There's a Riot Goin' On, turning them, for the most part, into friendly, welcoming rhythms. There are still traces of the narcotic haze of Riot, particularly on the brilliant, crawling inversion of "Que Sera, Sera," yet this never feels like an invitation into a junkie's lair…

Sly Stewart is one of pop and rock's great enigmas. A charismatic performer, full of a boundless, good energy, a wonderful songwriter and, at least when he was in his prime, a man with a sure vision, Sly still somehow managed to throw it all away by the mid-'70s. The classic work he did with Sly & the Family Stone, though, is worth its weight in gold. This 20-track set has all the essential hits, including "Stand," "Everyday People," "Everybody Is a Star," "Family Affair," "Dance to the Music," and "I Want to Take You Higher," among others, and for most casual listeners, it has everything they'll really need.

Stand! is the pinnacle of Sly & the Family Stone's early work, a record that represents a culmination of the group's musical vision and accomplishment. Life hinted at this record's boundless enthusiasm and blurred stylistic boundaries, yet everything simply gels here, resulting in no separation between the astounding funk, effervescent irresistible melodies, psychedelicized guitars, and deep rhythms…

It's easy to write off There's a Riot Goin' On as one of two things – Sly Stone's disgusted social commentary or the beginning of his slow descent into addiction. It's both of these things, of course, but pigeonholing it as either winds up dismissing the album as a whole, since it is so bloody hard to categorize. What's certain is that Riot is unlike any of Sly & the Family Stone's other albums, stripped of the effervescence that flowed through even such politically aware records as Stand! This is idealism soured, as hope is slowly replaced by cynicism, joy by skepticism, enthusiasm by weariness, sex by pornography, thrills by narcotics…

The second full-length from sacred steel genius Robert Randolph & the Family Band delivers, from the studio, the same promise, grit, grease, and sweat that Live at the Wetlands did. Randolph pulls out the stops in the studio, using his own band, without any of the hotshot guest stars who he's appeared with in the last two years. Unclassified features a road-tested, studio-savvy band using all of its collected gifts with producer Jim Scott to make a record that is as much about soul, funk, hard rock, folk, and jam band intensity as it is about the gospel music that first inspired the unit.