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This is a compilation of Franki Valli & The 4 Seasons' hits, including "Big Girls Don't Cry", "Sherry", and "December, 1963 (Oh What A Night)". Although they were one of the very biggest rock & roll groups of the 1960s, the Four Seasons – unlike, say, the Beatles, Rolling Stones, or the Byrds – don't excite virtually automatic respect from listeners and critics. A big factor is their most distinguishing trademark, the high falsetto vocals of their lead singer, Frankie Valli. Many also found their material – romantic tunes with tightly arranged group harmonies that updated doo wop ethos into the '60s – a little too clean-cut. Whatever your feelings about the group, though, there's no denying their considerable importance.

U.S. vocal male soul quartet formed in 1953, in Detroit as The Four Aims. They made their recording debut in 1955 backing Carolyn Hayes on her Baby Say You Love Me / Really single. The four founding members remained together for over four decades, until 1997 without a single change in personnel.In the 60's they were the main male vocal group for the signwriting and production team of Holland-Dozier-Holland. After Holland-Dozier-Holland left Motown in 1967, the Four Tops were assigned to several producers, primarily Frank Wilson. When Motown left Detroit in 1972 to move to Los Angeles, California, the Tops stayed in Detroit and moved over to ABC Records, where they continued to have charting singles into the late-1970s. Since the 1980s, the Four Tops have recorded for, at various times, Motown, Casablanca Records and Arista.Inducted into Rock And Roll Hall of Fame in 1990 (Performer).

The last of the major Motown groups to receive proper box-set treatment, the Four Tops in a sense got the best of the bunch, since this tells a ripping history while providing a cornucopia of rarities.

U.S. vocal male soul quartet formed in 1953, in Detroit as The Four Aims. They made their recording debut in 1955 backing Carolyn Hayes on her Baby Say You Love Me / Really single. The four founding members remained together for over four decades, until 1997 without a single change in personnel.In the 60's they were the main male vocal group for the signwriting and production team of Holland-Dozier-Holland. After Holland-Dozier-Holland left Motown in 1967, the Four Tops were assigned to several producers, primarily Frank Wilson. When Motown left Detroit in 1972 to move to Los Angeles, California, the Tops stayed in Detroit and moved over to ABC Records, where they continued to have charting singles into the late-1970s. Since the 1980s, the Four Tops have recorded for, at various times, Motown, Casablanca Records and Arista.Inducted into Rock And Roll Hall of Fame in 1990 (Performer).

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With 47 Pop hits and 52 R&B hits to their credit spanning nearly 25 years of recordings, The Four Tops are one of the greatest vocal groups in the history of pop music, hands down. But a big chunk of their hits, the ones they recorded for the ABC/Dunhill label, have been almost entirely unavailable in the CD era. This 2-CD collection from Real Gone Music answers the prayers of soul fans worldwide by presenting, for the first time ever on CD, all 33 rare single sides that the Tops recorded for the ABC/Dunhill label from 1972 through 1978. Just how rare are these tracks? We'll get into that in a sec; but first, a little history. Though The Four Tops (Renaldo "Obie" Benson, Abdul "Duke" Fakir, Lawrence Payton, and lead singer Levi Stubbs) had dominated the charts with their classic recordings for Motown in the '60s, when the label decided in 1972 to move to Los Angeles, the group, like many of their celebrated label-mates, felt it was time for a change.

In the wake of the success of Jersey Boys, the theatrical production based on the Four Seasons' lives, Rhino issued this impressive three-CD, 76-track box set, which also includes a DVD of a dozen film clips from 1962-1975. It's never been hard to find a Four Seasons best-of that includes all their big hits (which are all here as well), but for those who want a bigger collection of the group's material, this fills the bill well. The usual intelligence Rhino brings to such large career retrospectives is in force here, the songs including numerous low-charting singles that usually don't make the cut for best-of anthologies; various LP-only tracks, and B-sides; Frankie Valli solo efforts; singles they released under the pseudonym of the Wonder Who?; and much more material from their post-1967 era than is found on most compilations. In fact, most of the really popular stuff is on disc one and the first half of disc two, though the box runs all the way through their comeback hits in the mid-'70s and a few stray releases from subsequent decades.