The Garden of Earthly Delights 2004

This CD features music by composer Franz Liszt from the play "Tom & Jerry in the Garden of Earthly Delights." For this performance, pianist Martin Oei commissioned animations and videos to illustrate the life of Franz Liszt. Martin's goal is to introduce a younger audience to classical piano music and the remarkable role Liszt played in the 19th century.

The Rileys - Way Out Yonder (2018) {Sri Moonshine Music Digital Download}
FLAC (tracks) - 16bit/44kHz - Official Digital Download -> 362 Mb | MP3 @320 -> 184 Mb | Cover | 5% repair rar
© 2018 Gyan Riley and Terry Riley / Sri Moonshine Music | DD
Jazz / Classical / Modern Classical / Avant-Garde / Electronics / Guitar / Piano

Intricate shapeshifting structures containing elements of minimalism, jazz, and North Indian raga. Way Out Yonder is the second live release from The Rileys, the duo comprised of iconic American composer and minimalist pioneer Terry Riley and his guitarist/composer son Gyan Riley. The album contains spontaneous improvisations and compositions by both Terry and Gyan, captured during three performances in Canada, Japan and the US, and features the elder Riley on piano, voice, melodica and electronics. The album artwork was created by Barbara Falconer, who also painted the cover of Riley’s landmark 1978 release, Sri Camel.

Sweden’s OPETH are preparing to release their most important record to date with »In Cauda Venenum«. Certainly, fans and critics will have their opinion, but few records in the Swedes’ oeuvre are as engaging, delicate, panoramic, intense, and musical as OPETH’s lucky thirteenth. Sporting a clever Travis Smith cover – replete with inside jokes and a nod to KING DIAMOND – a masterful Park Studios (The Hellacopters, Graveyard) production, OPETH’s usual five-star musicianship, and lyrics entirely in Swedish, »In Cauda Venenum« raises the bar markedly. While a record in Swedish is a first—there’s also an English version—for frontman and founding member Mikael Åkerfeldt, the 10 songs on offer feel and sound completely natural. As if years of listening to and being a fan of Swedish rock and hard rock has paid off. In a way, Opeth have come home. But the Swedish lyrics of the primary edition of »In Cauda Venenum« shouldn’t distract from the quality presented in OPETH’s new songs, the lot of which sneak up and take control after repeated listens. »In Cauda Venenum« is like that, tricky in its complicated simplicity, resourceful in its ability to charm with delightful if wistful melodies. Really, it’s just OPETH being OPETH.