Bossa Nova translated as the "new beat" or "the new style", grew out of Rio De Janeiro in 1958. The instigators were a handful of artists with a desire to break from tradition, developing the samba rhythms with the influence of cool American jazz to find a music with such a warm soul and natural rhythm that no-one can help but tap and sway to its beat. Bossa Nova is palm trees swaying, it is like melting sugar in hot coffee, it is the setting sun and warm sand underfoot. It is the sound and beat of Brazil, it is one of the world's coolest musical styles and it remains to this day one of the world's great musical treasures.
This wonderful set includes the albums he recorded for Columbia Records between 1972 and 1979 (most of which he produced himself), as well as the soundtrack LP to a Dutch film called Forest Eyes from 1979, and a bonus disc of Getz at Carnegie Hall for the 40th anniversary of the Woody Herman band that also includes live sets from the 1977 Montreux Jazz and the 1979 Havana Jam festivals. It's beautifully packaged, and Getz is Getz throughout.
GREATEST EVER! is Union Square Music’s select, best-selling label, utilising the very best repertoire from key major labels, Greatest Ever’s 3CD box sets are some of the strongest multi-artist compilations on the market, with the greatest ever songs.
Long overdue - and totally great! This beautiful 2CD set brings together all the early jazz recordings of Sacha Distel - an artist who went onto become a pop vocalist in 60s France, but who was a great jazz guitarist in his early days! Distel was a key part of the transition in French jazz of the 50s - as he took the guitar, and played in a style that was much more modern than that of older Parisian players - especially Django Reinhardt. His playing had a clean and clear approach that was really great, and which shines anew again in this excellent package. The set features work from the following sessions: an orchestral date with backing by Billy Byers; a quintet session with Bobby Jaspar; another quintet date with Hubert Fol on piano; the soundtrack to the Roger Vadim film Les 7 Peches Capitaux; and a stunning album recorded in 1968 with Slide Hampton. This last session is especially great, as it was a "back to jazz" date for Distel, and featured some great orchestrations that mixed together light orchestrations from Hampton, breezy guitar, and even a bit of bossa. The set's got a total of 26 tracks on 2CDs, and titles include "Saki", "Marina", "Blue Waltz De L'Orgueil", "Half Nelson", "Stop & Go", "No Sad Song For Sacha", "Competition", "Scotch Bop", and "A Piece Of Pizza". (From the Jazz CD (A-D) page.)