Dinah Washington is one of the all-time great jazz singers, and she staked that claim with a whole lot of blues in her delivery. This roundup of blues-heavy sides from her Mercury heyday, then, is a welcome addition to an already impressive catalog. Cut during the '50s and early '60s, the 16 tracks include such usual suspects as "Trouble in Mind," "You Don't' Know What Love Is," and Bessie Smith's classic "Backwater Blues." Nicely augmenting these fine renditions, Washington transforms pop numbers like "Since I Fell for You" and "Soft Winds" with some juke-joint heat. And with plenty more gems to be had and fine support from arranger Quincy Jones, tenor saxophonist Lucky Thompson, trombonist Jimmy Cleveland, drummer Max Roach, and many others, one can't lose gettin' real lowdown with the swingin' (and bluesy) "Miss D."
As Duke Ellington would have said, Dinah Washington was “beyond category”. Subtle and inventive enough to hold an honored place in the jazz pantheon yet tough and forceful enough to command the attention of blues, R&B and rock & roll audiences. Equally at ease performing Broadway songs, pop tunes or jazz material, Washington combined urbane finesse with down-home grit to make music that reflected her strong-willed, larger-than-life personality.
Dinah Washington (born Ruth Lee Jones; August 29, 1924 – December 14, 1963) was an American singer and pianist, who has been cited as "the most popular black female recording artist of the '50s". Primarily a jazz vocalist, she performed and recorded in a wide variety of styles including blues, R&B, and traditional pop music, and gave herself the title of "Queen of the Blues". She was a 1986 inductee of the Alabama Jazz Hall of Fame, and was inducted into the Rock and Roll Hall of Fame in 1993.
This 1957 LP features the great singer Dinah Washington on a variety of "greatest hits" dating back to 1943. The blues-oriented material includes "Evil Gal Blues," "Trouble in Mind," "TV Is the Thing This Year," and "New Blowtop Blues," and was taken from five different sessions spanning a decade. This accessible effort serves as a fine introduction to the spirited early style of Washington.
Dinah Washington was known as the essential rhythm & blues singer of her time, but only Sarah Vaughan eclipsed her in terms of jazz ballad artistry. This collection of torch songs, taken from her recordings on the Mercury and EmArcy labels, is evidence enough of her status as "the Queen." Arrangements by Quincy Jones, Ernie Wilkins, and Fred Norman in big band or small group sessions are quite attractive and complement her distinctive voice. Six are with string arrangements and two with vocal group backup (the Dells,) but every cut is a quintessential. Great soloists like Clifford Brown, Al Cohn, Kai Winding, Cannonball Adderley, and Clark Terry are included in this set, the best songs being "Since I Fell for You," "Willow Weep for Me," "Stardust," "More Than You Know," "Unforgettable," and "Goodbye."
From a label with no shortage of first-rate jazz material come this very attractive vocal sampler. Staying true to the Compact Jazz ethos, Best of the Jazz Vocalists favors quality over hits and comes with a budget price tag. The majority of songs are from the label's prime '50s and '60s run, including a cloud-bound "Summertime" by Helen Merrill and one of the all-time great versions of "If You Could See Me Now," compliments of Billy Eckstine. Continuing with this balancing act between the sexes, the collection also includes fine work by Bill Henderson, Ella Fitzgerald, Louis Armstrong, Abbey Lincoln, Jon Hendricks, Shirley Horn, and Anita O'Day; latter-day entries include Lincoln's "I've Got Thunder and It Rings" from her 1990 Verve debut and Horn's "I Got Lost in His Arms" from 1988's Close Enough for Love. Nicely wrapped up with Nina Simone's Afro-percussion clarion call "Come Ye," this Verve roundup works as the perfect primer for more adventurous trips through the label's fertile stores of essential jazz.
From 'Lady Day' to the 'Queen of Soul', this compilation brings together many of the greatest female voices that have ever graced popular music. This comprehensive 4CD compilation features one hundred original recordings from many of the greatest female voices that have ever graced popular music.From Ella Fitzgerald and Billie Holiday to Judy Garland, Shirley Bassey and Julie Andrews, this compilation brings together all of the very best vocalists.