Deutsche Grammophon proudly presents 42 of its greatest ever recordings for violin, from its matchless catalogue of the finest violinists of the last 75 years. Fritz Kreisler began it all for the company by recording a series of his own compositions and arrangements. 31 violinists grace 111 The Violin, with recordings from the early 1900s to 2012.
Sony Classical presents a new reissue of all the recordings that Charles Munch, one of the most dynamic and charismatic conductors of the 20th century, made for RCA Victor while in Boston conducting the Boston Symphony Orchestra. Munch turned the BSO into arguably the greatest French orchestra in the world while preserving its sovereignty in the American, Austro-German, central European and Russian repertoires. An 86-CD box set, The Complete Album Collection marks the first time that this cornerstone of the classical catalogue has been available in a single box with 16 works new to CD and 29 works newly remastered from the original analogue tapes.
RCA Red Seal is a classical music label and is now part of Sony Masterworks.
The Red Seal label was begun in 1902 by the Gramophone Company in the United Kingdom and was quickly adopted by its United States affiliate, the Victor Talking Machine Company, and its president, Eldridge R. Johnson. Distinctive, red paper information labels affixed to the centre of the two affiliated companies' black shellac discs inspired the name.
What release is this that can command such a gaudy price? Well, take another look: that's for 142 (!) CDs, which is what's necessary to compile-for the first time- every Arthur Rubinstein album ever released! One of the great poets of the piano, Rubinstein is heard here on every RCA Victor album he made from 1940-76, and also on one Decca album from 1978. Lastly, you'll hear the fine recordings he made in England for HMV between 1928 and 1940 plus the world-premiere release of two Carnegie Hall concerts from December 8 and 10, 1961 (featuring works by Debussy and Chopin). On the bonus DVDs: Rubinstein Remembered , a documentary chronicling his life, and The Benefit Recital for Israel from 1975. In the 164-page full-color hardcover book: a wealth of essays and photos plus complete discography, track listings and discographical notes. And on those 142 CDs?: Rubinstein's vast array of studio and live recordings of solo, concert and chamber-music pieces, with all albums presented in their best remasterings (using SACD and XRCD mastering sources). A dream come true for classical lovers, and a dream that will soothe your musical soul for a very, very long time!
RCA Red Seal is a classical music label and is now part of Sony Masterworks. The Red Seal label was begun in 1902 by the Gramophone Company in the United Kingdom and was quickly adopted by its United States affiliate, the Victor Talking Machine Company, and its president, Eldridge R. Johnson. Distinctive, red paper information labels affixed to the centre of the two affiliated companies' black shellac discs inspired the name. Led by the work of the great tenor Enrico Caruso, Victor's Red Seal Records changed the perception of recorded music.
Sony Classical presents a new reissue of all the recordings that Charles Munch, one of the most dynamic and charismatic conductors of the 20th century, made for RCA Victor while in Boston conducting the Boston Symphony Orchestra. Munch turned the BSO into arguably the greatest French orchestra in the world while preserving its sovereignty in the American, Austro-German, central European and Russian repertoires. An 86-CD box set, The Complete Album Collection marks the first time that this cornerstone of the classical catalogue has been available in a single box with 16 works new to CD and 29 works newly remastered from the original analogue tapes. The new set also contain Munch s 1963 French-music compilation with the Philadelphia Orchestra for American Columbia.
Culled from New York Philharmonic broadcasts spanning 75 years, this remarkable 10-disc compilation testifies to the strong-willed yet chameleon-like orchestra's virtuosity and versatility under a diverse assemblage of podium personalities. Stylistically speaking, the earlier items are the most interesting, revealing, for instance, a more vibrant Otto Klemperer and freer Arturo Toscanini than their later commercial efforts sometimes suggest. Other artists are heard in repertoire which they otherwise didn't record: Fritz Reiner's Brahms 2nd, Leonard Bernstein's Berg and Webern, and a wrenching concert version of Bartók's Bluebeard's Castle under Kubelík's direction, to name but a few. From program notes to transfer quality, not one stone is left unturned to ensure first-rate results.
Fritz Reiner was one of the foremost conductors of his time. Crowning his long career in Europe and America was the decade from 1954 to 1963 as music director of the Chicago Symphony Orchestra an illustrious partnership that ranks along such other historical tenures as Karajan's in Berlin, Szell's in Cleveland and Bernstein's in New York.
Luckily for posterity, Reiner's legendary interpretations at the helm of the Chicago Symphony which no less than Igor Stravinsky called "the most precise and flexible orchestra in the world" were captured on record by RCA Victor. Now for the first time ever, they are being issued together in a single Sony Classical box set of 63 re-mastered CDs.
In May of 2015, violinist Anne-Sophie Mutter gave a truly unique concert: rather than standing on stage in one of the world’s renowned well-tempered grand concert halls, she spent two evenings playing in a tiny graffiti-scrawled nightclub in Berlin. Recorded in front of a standing-room only audience, this new release includes popular works by Bach, Copland, Gershwin, Tchaikovsky, Vivaldi and many more. Mutter is joined by Mahan Esfahani, Lambert Orkis and the Mutter Virtuosi.