The History of Eric Clapton is a compilation double LP, released in 1972 by Polydor Records in the United Kingdom, and Atco Records in the United States. It features Eric Clapton performing in various bands between 1964 and 1970, including The Yardbirds, Cream, Blind Faith and Derek and the Dominos. The compilation is notable for helping Clapton's career when he was battling heroin addiction and making the song "Layla" famous. It is also notable for being perhaps the first compilation in rock music to collect music of a single rock musician that spans time, bands, music styles and record labels. The album cover picture was taken at George Harrison's Concert for Bangladesh while Clapton was playing "While My Guitar Gently Weeps" on a Gibson Byrdland hollow-body guitar.
By January 1973, Eric Clapton's career was going great guns as the result of compilations like History of Eric Clapton; the only problem was that Clapton himself was nursing a heroin addiction and hadn't been heard from since his August 1971 appearance at the concert for Bangladesh…
Backtrackin' is a two-disc compilation album by Eric Clapton spanning the years 1966 to 1980. It was released in 1984. The compilation contains all of Clapton's best known songs with Cream, Blind Faith, Derek and the Dominos, and his solo 1970s work through his 1980 live album Just One Night. This compilation album is made in Germany and is only available in the United States as an import. It was originally released by Starblend Records, and has since been reissued by Polydor Records.
They made one of the most essential classic rock albums of all time and - lucky us - they also laid down some live stuff. Here's how it holds up to their studio genius…
The 1984 two-disc compilation Backtrackin' is an ambitious attempt to offer an overview of Eric Clapton's then 20-year career, divided into four separate themes, two per CD. The first disc is devoted to Singles and History and the second to Classics and Live…
This double-disc reissue documents one of the more curious careers in country music. Both 1978's White Mansions and 1980's The Legend of Jesse James are Southern song cycles that were conceived by Britain's Paul Kennerley, then an unknown songwriter who somehow recruited a high-profile cast for each. A Civil War saga from the Southern perspective, White Mansions suffers from caricature and cliché but benefits from signature contributions by Waylon Jennings, Jessi Colter, and Eric Clapton. Jesse James has more focus and narrative momentum, with Levon Helm, Johnny Cash, and Emmylou Harris in lead roles. Though the albums are more noteworthy for artistic ambition than memorable material, Kennerley subsequently became a successful Nashville songwriter.
Switching from a major to his own Bushbranch imprint on Gary Hoey's independent SurfDog label is, to the say least, a little unexpected from Eric Clapton, but now that he's reached the ripe old age of 67, the guitarist isn't so concerned with proving himself. On Old Sock, his 20th studio album, he sounds downright happy to be slowly dropping off of the mainstream radar, not bothering with any music that could conceivably be called pop, or even writing his own songs. Only two of the 12 songs on Old Sock are new, and he didn't write either himself; they're co-writes between his longtime right-hand man Doyle Bramhall II, Nikki Costa, and Justin Stanley, and the vaguely propulsive blues-rock of "Gotta Get Over" and cheerful lite reggae bounce "Every Little Thing" fit neatly into the sunny nostalgia offered on the rest of the record.
Clapton is Eric Clapton’s first solo album in five years, but he hardly spent the back half of the 2000s in seclusion. After 2005’s Back Home, he went on a journey through the past, writing a 2007 autobiography – also titled Clapton, although that’s the only connection they shared – mending fences with Jack Bruce and Ginger Baker for a brief Cream reunion, establishing a lasting connection with his old Blind Faith bandmate Steve Winwood, and recording a duet album with his ‘70s inspiration JJ Cale. This embrace of history isn’t directly heard on Clapton but it’s certainly felt, extending to how EC relies on old tunes – blues and country, but also pop and R&B – for the bulk of this 14-track album.