At the Hickory House is a thoroughly appealing collection of lightly swinging small-combo jazz that draws equally from hard bop and soul-jazz. There's a soulful lilt to Jutta Hipp's playing that keeps it engaging and enjoyable. The rhythm section of Peter Ind (bass) and Ed Thigpen (drums) largely stay out of the way, letting Hipp dictate the tempo and mood of the pieces, and she has a knack for creating infectious, swinging interpretations of jazz and pop standards that are enjoyable and easy to listen to.
“I’ve been a fan of PP ever since hearing ‘The First Cut’, and then ‘Tin Soldier’. Her voice is still as great as it was when she was 18/19 years old! Steve Cradock has tried to keep something of the early Immediate Records sound on this new record, whilst still sounding fresh, and it is for me one of the finest in her collection” – Paul Weller. Five decades after she became a ’60s icon with the timeless pop hits ‘The First Cut Is The Deepest’ and ‘Angel Of The Morning’ on Rolling Stones manager Andrew Oldham’s ultra-hip Immediate label, soul singer P.P. Arnold is set to release a double-album of stunning new material featuring contributions from, among others, Paul Weller, Ocean Colour Scene’s Steve Cradock, The Specials and P.P’s songwriter son, Kodzo.
California Dreamin' reminds us that '60s pop paragons The Mamas & The Papas had an appealing new sound, made some terrific records, and left behind a legacy that lives on more than 35 years after they called it quits. This hour-long documentary, originally aired on PBS, has all the standard elements of the genre: interviews (including some from 2004 and '05 with surviving members Michelle Phillips and Denny Doherty, as well as 1986 recollections by John Phillips, who died in '01, and a few brief words from Cass Elliot, who passed away in '74), photos, home movies, and a generous helping of music clips…
Collection of 30 CDs on various styles (Love, Movies, R&B, Country, World and Rock). Although you may find the collection a bit outdated since the release is from 2001, it contains some great songs… so enjoy.
Sarah Vaughan recorded extensively for Mercury/EmArcy during the 1950s and 1960s. Through much of that time, Vaughan's operatic voice was matched against overripe orchestrations or arrangements more suitable to a pop icon than one of the most versatile instruments in history.