One of the jazz world's most unique and influential pianists since the 1960's, Keith Jarrett is known for his breathtaking solos and stylistic diversity. Live At Open Theater East showcases Jarrett's magic fingers as they interpret a number of classic jazz standards. Keith Jarrett Trio - Live At Open Theater East movie Backed by talented jazz stars Gary Peacock and Jack DeJohnette, Jarrett's music is as beautiful and inspiring as the setting-an illuminated outdoor ampitheater.
The survival of classical music may hinge on its ability to appear prominently outside the standard venues of concert halls and recording studios, thereby reaching a much larger audience of listeners who might otherwise never be treated to the masterworks of the canonical repertoire. New York-based ensemble the Knights seeks to do that by coupling its impressively broad repertoire (ranging from classical to jazz to world music) with a desire to play in locations where one might not expect to see an orchestra.
Pianist, composer, and bandleader Keith Jarrett is one of the most prolific, innovative, and iconoclastic musicians to emerge from the late 20th century. As a pianist (though that is by no means the only instrument he plays) he literally changed the conversation in jazz by introducing an entirely new aesthetic regarding solo improvisation in concert. Though capable of playing in a wide variety of styles, Jarrett is deeply grounded in the jazz tradition.
The two piano concertos of Shostakovich, though strikingly different from each other, have both become twentieth century classics. The first has long been one of Marc-André Hamelin's 'party pieces.' Hyperion was pleased to have the opportunity to pair him with Andrew Litton, a conductor who knows these works backwards and forwards (he has even recorded the second concerto as pianist). The resulting performances have a vitality and flair which places them amongst the greatest ever put to disc. The Shchedrin concerto, though less well-known, is no less enjoyable. There is brilliance in both the piano writing and the orchestration and the surprise addition of a jazz trio in the finale - including vibraphone and drum kit - is sure to bring the house down.
GoGo Penguin are an English band from Manchester, England, featuring pianist Chris Illingworth, bassist Nick Blacka, and drummer Rob Turner.
The band's music features break-beats, minimalist piano melodies, powerful basslines, drums inspired from electronica and anthemic riffs. They compose and perform as a unit. Their music incorporates elements of electronica, trip-hop, jazz, rock and classical music.
Critics have described GoGo Penguin's music with references to Esbjörn Svensson Trio, Aphex Twin, Squarepusher, Massive Attack, Brian Eno, modern classical composers Shostakovich and Debussy, or contemporary minimal music composers like Philip Glass.
Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has also been a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music. In 2003, Jarrett received the Polar Music Prize, the first recipient of both the contemporary and classical musician prizes, and in 2004 he received the Léonie Sonning Music Prize. His album, The Köln Concert, released in 1975, became the best-selling piano recording in history. In 2008, he was inducted into the Down Beat Jazz Hall of Fame in the magazine's 73rd Annual Readers' Poll.
Remastered in 24-bit from the original master tapes. Part of our Keepnews Collection, which spotlights classic albums originally produced by the legendary Orrin Keepnews. Recorded live at the Jazz Workshop in San Francisco, this hit album captures the bluesy alto saxophonist and his band (featuring brother Nat on cornet and Bobby Timmons on piano) during their triumphant four-week run. It not only wowed the city’s jazz aficionados but also introduced Russian classical composer Dmitri Shostakovich to his first dose of live jazz.
Jazz meets techno meets big band. It really shouldn't work…and yet, as anyone who has ever heard or seen the Jazzrausch Bigband will know, the reality of the band in action firmly knocks that idea on the head. Ever since Jazzrausch started in 2014, it has been on an unstoppable path of growth and development which has been very much on the band’s own terms. Jazzrausch first came to attention as the house band at the legendary Munich techno club "Harry Klein" – currently threatened with closure, incidentally – where the recordings for the new album "Emergenz" were made. Since then, the band’s growing renown has taken it to Germany’s great temples of classical music: the Elbphilharmonie in Hamburg, the Isarphilharmonie in Muich and the Berlin Philharmonie… and a buzz has been building internationally too. What is Jazzrausch Bigband all about? Putting a couple of exceptional and unconventional musical brains in charge, letting their sense of what is serious and what is banging prevail, and then seeing how much it can appeal to both younger and older audiences. Jazzrausch has dealt with the whole idea of ‘no can do’. By hitting it out of the ballpark.