The John Coltrane Quartet Africa Brass

The complicated rhythm patterns and diverse sonic textures on Olé are evidence that John Coltrane was once again charting his own course. His sheer ability as a maverick – over and beyond his appreciable musical skills – guides works such as this to new levels, ultimately advancing the entire art form. Historically, it's worth noting that recording had already commenced – two days prior to this session – on Africa/Brass, Coltrane's debut for the burgeoning Impulse! label. The two discs complement each other, suggesting a shift in the larger scheme of Coltrane's musical motifs. The assembled musicians worked within a basic quartet setting, featuring Coltrane (soprano/tenor sax), McCoy Tyner (piano), and Elvin Jones (drums), with double-bass chores held down by Art Davis and Reggie Workman. Added to that are significant contributions and interactions with Freddie Hubbard (trumpet) and Eric Dolphy (flute and alto sax). Dolphy's contract with another record label prevented him from being properly credited on initial pressings of the album. The title track is striking in its resemblance to the Spanish influence heard on Miles Davis' Sketches of Spain. This is taken a bit further as Coltrane's combo stretches out with inspired improvisations from Dolphy, Hubbard, Tyner, and Coltrane, respectively. "Olé" likewise sports some amazing double-bass interaction. The combination of a bowed upright bass played in tandem with the same instrument that is being plucked has a sinister permeation that assuredly excited Coltrane, who was perpetually searching from outside the norms. The haunting beauty of "Aisha" stands as one of the finest collaborative efforts between Tyner – the song's author – and Coltrane. The solos from Hubbard, Dolphy, and an uncredited Tyner gleam from within the context of a single facet in a multi-dimensional jewel. All Music

Every five years since 1986, the corporate custodians of Impulse! have served up batches of Coltrane reissues and unreleased tapes to commemorate a birthday ending in "0" or "5." In the year 2001, which would have been Coltrane's 75th birthday, current label owner Vivendi Universal delivered four single CDs, three of which serve tourists who want to get on the 'Trane for the first time. Standards is probably the least eventful of the lot, offering no unreleased material or particularly enticing packaging. But you won't get shortchanged by the music, which takes us from the first galvanic Impulse! album Africa/Brass ("Greensleeves") through the run of projects by Coltrane's classic quartet of the first half of the '60s (McCoy Tyner, Jimmy Garrison, Elvin Jones)…

In late 1961, Impulse Records and McCoy Tyner were each young and getting started. The two came together that year: the label barely a year old with just ten albums in its catalog; the pianist from Philadelphia twenty-three, already a young veteran of various bands and recording situations. ~ Ashley Kahn @ Verve Music

Various Artists - The House That Trane Built: The Story Of Impulse Records (2006) [4CD] {Impulse! Japan Edition}
EAC rip (secure mode) | FLAC (image)+CUE+LOG -> 1.62 Gb | MP3 @320 -> 610 Mb
Full Artwork @ 300 dpi (jpg) -> 114 Mb | 5% repair rar
© 2006 Impulse! / Verve | UCCI-7001/4 / B0006680-02
Jazz / Avant-Garde Jazz / Bop / Afro-Cuban Jazz / Free Jazz / Hard Bop / Modern Creative

The House That Trane Built: The Story of Impulse Records is a four-disc set, compiled and annotated by author Ashley Kahn who wrote the book of the same name being published concurrently with its release. Impulse's great run was between 1961 and 1976 – a period of 15 years that ushered in more changes in jazz than at any other point in the music's history. Impulse began recording in the last weeks of 1960, with Ray Charles, Kai Windig /J.J. Johnson, and Gil Evans. While Impulse experimented with 45s 33 1/3 EPs, cassettes, and reel to reel tapes later in its existence, it was–and this set focuses on– it was the music on its LPs (with distinct orange and black packaging in gatefold sleeves containing copious notes) that helped to set them apart.

The House That Trane Built: The Story of Impulse Records is a four-disc set, compiled and annotated by author Ashley Kahn who wrote the book of the same name being published concurrently with its release. Impulse's great run was between 1961 and 1976 – a period of 15 years that ushered in more changes in jazz than at any other point in the music's history. Impulse began recording in the last weeks of 1960, with Ray Charles, Kai Windig /J.J. Johnson, and Gil Evans. While Impulse experimented with 45s 33 1/3 EPs, cassettes, and reel to reel tapes later in its existence, it was–and this set focuses on– it was the music on its LPs (with distinct orange and black packaging in gatefold sleeves containing copious notes) that helped to set them apart.

Following his big band arrangements of John Coltrane’s classics, "A Love Supreme" and "Africa/Brass", Christophe Dal Sasso tackles Chick Corea's "Three Quartets". Under the expert guidance of the arranger, his big band (Voted France’s best jazz orchestra in 2020) revisits the legendary album, featuring in the footsteps of the late Michael Brecker, three exceptional saxophonists: David El-Malek, Stéphane Guillaume and Rick Margitza. A lively and spectacular tribute to the pianist who passed away in 2021.