The Joy of Quiet

Maximum Joy are a post-punk band from Bristol, England, formed in 1981 and reunited in 2015. Pitchfork compared their sound to "one of the Slits backed by the Gang of Four, while PopMatters said, "Musically, the group’s use of complex percussion, horns, danceable bass lines, and overtly English female vocals built a bridge between the worlds of Afrobeat, reggae, avant-garde jazz, funk and pop". “I Can't Stand It Here On Quiet Nights” is centred around the trio of singles the band released on Dick O’Dell’s Y Records between 1981-1982.

Maximum Joy are a post-punk band from Bristol, England, formed in 1981 and reunited in 2015. Pitchfork compared their sound to "one of the Slits backed by the Gang of Four, while PopMatters said, "Musically, the group’s use of complex percussion, horns, danceable bass lines, and overtly English female vocals built a bridge between the worlds of Afrobeat, reggae, avant-garde jazz, funk and pop". “I Can't Stand It Here On Quiet Nights” is centred around the trio of singles the band released on Dick O’Dell’s Y Records between 1981-1982.

Maximum Joy are a post-punk band from Bristol, England, formed in 1981 and reunited in 2015. Pitchfork compared their sound to "one of the Slits backed by the Gang of Four, while PopMatters said, "Musically, the group’s use of complex percussion, horns, danceable bass lines, and overtly English female vocals built a bridge between the worlds of Afrobeat, reggae, avant-garde jazz, funk and pop". “I Can't Stand It Here On Quiet Nights” is centred around the trio of singles the band released on Dick O’Dell’s Y Records between 1981-1982.

UK three CD collection. This release charts the birth of synthesized pop music in the 1980s and ultimately the roots of contemporary electronic dance music. The importance and continued popularity of '80s pop is not to be underestimated, and the emergence of serious synthesized music producers in Kraftwerk, The Human League, Heaven 17, OMD, Yazoo, Ultravox, Talk Talk, Japan, Devo, Sparks, Gary Numan, New Order and the Pet Shop Boys, all of whom massively pushed the boundaries in experimenting with (mainly) Roland synths in this era, ultimately showed the way for the House and Techno producers of the '90s to the present day. Within this more serious side there was also some brilliant, pure Synthpop from the Thompson Twins, Duran Duran, Spandau Ballet, Thomas Dolby, Simple Minds, Propaganda, Erasure, China Crisis, Belouis Some, the Lotus Eaters, a Flock of Seagulls, Howard Jones, Blancmange and the Associates.

Cultivating Lasting Happiness, Abundance, and Inner Fulfillment - Guided Meditation Audio Course For Gratitude

"Another diary-novella chapter of patiently constructed song/mantras which finds Ben yet again trademarkedly ballet-ing 'tween the Chuckle, Cry, and Groove circles near the center light of our life-sized Venn diagram ~ (this intersection zone is called “Ben’s Zone”, the shape of which, called “Ben’s Textile Cone Shape”, similar to a tesseract, is invisible though conceptualize-able.

Midnight Love is the seventeenth and final studio album (that is not a posthumous one) by Marvin Gaye. He signed with the label Columbia in March 1982 following his exit from Motown. The final album to be released before his death, it ultimately became the most successful album of Gaye's entire career. The disc was certified triple platinum in the United States, selling well over six million copies worldwide. It was nominated for a 1984 Grammy for Best Male R&B Vocal Performance, spawning the two-time Grammy Award-winning smash, "Sexual Healing". It was ranked number 37 on the Rolling Stone list of the best albums of the 1980s decade and the NME named the album as its Album of the Year in 1983. In 1998, Sony Music re-released the album as a two-CD "Legacy" edition set titled Midnight Love and the Sexual Healing Sessions. The same edition would be re-released in 2007, to celebrate the album's 25th anniversary since its release.