Sign of the Times: The Very Best of Queensrÿche comes in two different editions, single and double disc. The single-disc version is pretty much the one folks need if they dug either or both versions of Operation: Mindcrime, or were passionate about the rest of the band's material…
The Fugs First Album (1965). A loping, ridiculous, and scabrous release, the Fugs' debut mashed everything from folk and beat poetry to rock and rhythm & blues - all with a casual disregard for sounding note perfect, though not without definite goals in mind. Actually compiled from two separate sessions originally done for Folkways Records, and with slightly different lineups as a result, it's a short but utterly worthy release that pushed any number of 1964-era buttons at once (and could still tick off plenty of people). Sanders produced the sessions in collaboration with the legendary Harry Smith, who was able to sneak the collective onto Folkways' accounts by describing them as a "jug band," and it's not a far-off description. A number of songs sound like calm-enough folk-boom fare, at least on casual listening, though often with odd extra touches like weirdly muffled drums or out of nowhere whistles and chimes…
This is my second release the follow up to my 1st album Pain. It is a concept record like Dark Side of the Moon or The Wall but in more of a Blues style with many other styles in addition to that. This is the reason for the title "Musical Diary of the Hopeless Romantic" you can call it Musical Diary or The Diary for short. It seems to grow and attach to listeners the more they listen. I believe the lyric and emotion in addition to not knowing what will come next is the reason for this. This album is best listened to as a whole piece with multiple movements…
Arguably the first underground rock group of all time, the Fugs formed at the Peace Eye bookstore in New York's East Village in late 1964 by poets Ed Sanders and Tuli Kupferberg, with Ken Weaver on drums. Soon afterward, they were joined by Peter Stampfel and Steve Weber of the Holy Modal Rounders. Kupferberg named the band from a euphemism for "fuck" used in Norman Mailer's novel, The Naked and the Dead.
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