The Killing Time 1987

Killing Time is a British glam rock band Girl album that was released after the band broke up. It was made with leftover tracks from previous albums and unpublished tracks for a third album never released…

With his barbed-wire guitar work and hearty vocal on a marathon rendition of "Catfish Blues," Johnson hauls the time-honored Delta tradition into contemporary blues. The entire album is an eminently solid, doggedly down-home affair, though nothing else quite measures up to the powerhouse attack of that one vicious workout.

Solid, soulful blues, often with humorous, self-deprecating lyrics, comes from the well-respected vocalist, tenor player, composer, and veteran of the bands of Albert Collins, Buddy Guy, Magic Sam, and Son Seals. Reed has been called "the definitive Chicago blues sax player." This album features Reed's band, with guests Bonnie Raitt and Stevie Ray Vaughan

An integral part of the early 1980s thrash metal movement, New Jersey quartet Overkill were formed in 1980 by vocalist Bobby "Blitz" Ellsworth and guitarist Bobby Gustafson, and also included bassist D.D. Verni and drummer Rat Skates (later replaced by Sid Falck). The band garnered a reputation for brutal, pounding speed and technique, but lacked the musical diversity to compete with heavy hitters like Metallica; still, Overkill built up a strong following in the metal underground with albums like 1985's Taking Over and 1988's Under the Influence. Gustafson quit in 1989 following the Years of Decay album, and was replaced by Rob Cannavino and Merritt Gant…

Following up his surprise hit debut on acoustic guitar, Alone/But Never Alone, Carlton offers a collection of easygoing, laid-back, Wave-oriented smooth jazz that slowly reveals hints of the full range of his capabilities. At first, it sounds as if the guitarist would be merely killing time here, but starting with the funky "Knock on Wood," things get progressively more interesting as Carlton seems to find his funky bearings. "Discovery" is actually quite nice with its cushiony vamp; "My Home Away From Home" finds Carlton flashing his acoustic chops quite effectively; the shuffling "Minute By Minute" garnered a lot of airplay. Kirk Whalum can be relied upon for stock, crowd-pleasing R&B tenor solos on several tracks, while Terry Trotter plays digital synths, John Pena handles the bass, and Rick Marotta is on drums. Nice stuff, not too demanding, but it wears well.