The King 2022

Wonderland is full of magic and myth. Containing exclusively works commissioned by The King’s Singers across their 55 years; the album celebrates their trademark musical storytelling; with no shortage of comedy. György Ligeti’s six Nonsense Madrigals; each setting playful children’s poetry or extracts from Lewis Carroll’s Alice’s Adventures in Wonderland; provide a musical spine to the album; commemorating 100 years since the composer’s birth in 1923.

This brand new Christmas album from The King’s Singers features 25 tracks covering everything from contemporary choral gems and folk songs through to well-loved carols. Dotted throughout the album are several of the most famous English church carols, which take The King’s Singers right back to their earliest singing days, and which also reflect the group’s heritage at King’s College, Cambridge. In Christmas Carols with The King’s Singers, the group bottle that frosty, moonlit, fireside Christmas wonder and pour it into their sound.

Alexander Balus brings to completion The King's Consort's series of Handel's four 'military' oratorios (the other three being Judas Maccabaeus, The Occasional Oratorio, and Joshua).
The story is a somewhat embellished retelling of chapters 10 and 11 from the first book of the Apocryphal Maccabees and involves complicated intrigues between the Jews, Syrians and Egyptians in the second century BC. To cut a long story short, Alexander Balus, King of Syria, is eventually defeated in battle by Ptolomee of Egypt and then killed by an Arab; but Ptolomee himself dies just three days later allowing Jonathan, the Chief of the Jews, to remind us of the fate of those who do not believe in the One God.

One of Germany’s best-loved classical performers joins forces with a legendary close- harmony group for a winter-themed album to bring warmth to the dark months of the year: Albrecht Mayer & The King’s Singers. The pairing of probably the world’s most famous and accomplished oboist, Albrecht Mayer with the UK’s celebrated vocal ensemble is a heavenly musical partnership, and the interplay of colours, melodies and harmonies between these performers enchant and delight with Baroque, classical and seasonal favourites. The album has a Yuletide theme with tracks such as ‘Let It Snow’, ‘Jingle Bells’ and ‘Baby It’s Cold Outside’.

Boccherini wrote very little vocal music; however he left two settings of the Stabat mater. It was first set in 1781 for solo soprano and strings and then in 1800 for two sopranos and tenor, obviously influenced by the hugely-popular Pergolesi Stabat mater of 1736. There are many similarities in the notation and harmony—even the same key of F minor is used. The writing is of extraordinary individuality and seems to come straight from the heart. This unjustly neglected piece is surely one of the most remarkable sacred compostions of the era.