“Balagan” offers a captivating journey through a diverse array of musical landscapes, showcasing the exquisite interplay between clarinet, violin, and piano. At its heart lies Paul Schoenfield’s Trio, a vibrant and energetic composition that weaves together elements of classical, jazz, and folk music with masterful precision.
“Balagan” offers a captivating journey through a diverse array of musical landscapes, showcasing the exquisite interplay between clarinet, violin, and piano. At its heart lies Paul Schoenfield’s Trio, a vibrant and energetic composition that weaves together elements of classical, jazz, and folk music with masterful precision.
In their own way Beethoven’s five piano concertos relate a part of their composer’s life. In the previous volume of this complete recording, Kristian Bezuidenhout, Pablo Heras-Casado and the musicians of the Freiburger Barockorchester explored the beginning (Concerto no.2, a springboard to Viennese fame) and the end (the ‘Emperor’) of the story. They now turn to the most personal of all the Beethoven concertos, the Fourth which, at a time when the spectre of total deafness threatened his career, shattered the conventions of the genre - as did such orchestral works as Coriolan and the Overture to The Creatures of Prometheus.