Most of Mel's recordings have come out on CD, but not these! In fact, most of these (recorded in London while he was on tour in the UK) were never issued at all in the U.S.: Limehouse Blues; Time Was; Hooray for Love; Let There Be Love; These Foolish Things; Danny Boy; Greensleeves, and more. The twenty tracks on this CD sound as fresh now as it was when it was first created over fifty years ago and serve as a wonderful tribute to the great musicians and singer who recorded them.
Vaughan Williams "A Sea Symphony" is one of the greatest and most inspiring works of the 20th century, with excepts from Walt Whitman's masterpiece, "Leaves of Grass". No other work better captures the majesty and beauty of the Sea. Here we have, if I'm not mistaken, the first live recording ever produced by Chandos and the audience is extremely quite to the point of not even knowing they are their. This is a very complex work to perform and record with it's extremely large forces. Richard Hickox does an amazing job at handling all the forces involved. The chorus sounds sumptuous yet precise and the sections are very well defined across the front stereo spread. The balance between chorus and orchestra is almost perfect. Gerald Finley does a superb job with just the right emotional inflections with his dark voluptuous baritone voice.
This recording was taken from a live performance during the London Philharmonic Orchestra’s 2019/20 season at London’s Royal Festival Hall. The recording captures the thrill and electricity of the live performance.
Chandos's brave and important Parry series, conducted with sterling musicianship and remarkable insights by Matthias Bamert, adds another choral disc to the four out of the five symphonies so far issued. Recently The Soul's Ransom and The Lotos Eaters were released (1/92) and now comes the large-scale, nearly hour-long cantata Invocation to Music, a ten-movement setting of a poem by Parry's friend Robert Bridges and composed ''in honour of Henry Purcell'' for the bicentenary, in 1895, of his death. The first performance was at the Leeds Festival that year. How many have there been since then?