The final Riverside release of Wes Montgomery material (before the important label went completely bankrupt) was similar to his debut four years earlier: a trio with organist Melvin Rhyne and an obscure drummer (this time George Brown). The CD reissue even includes one leftover track from the earliest session ("Missile Blues") along with newer jams and a pair of "bonus tracks" – an alternate take of "The Way You Look Tonight" and a brief "Unidentified Solo Guitar" piece. In general, the music swings hard (particularly the two versions of "The Way You Look Tonight"), and is a worthy if not essential addition to Wes Montgomery's discography. He would have a few straight-ahead dates for Verve, but this release was really the end of an era.
The Law is the first and only album from the rock supergroup The Law. The Law were an English rock group formed in 1991 by singer Paul Rodgers (ex-Free, Bad Company and The Firm) and drummer Kenney Jones (ex-Small Faces/Faces and The Who). They intended to use different supporting musicians, to allow Rodgers to pursue whatever style he wished. They assembled a core band of studio musicians, consisting of Jim Barber (whose credits include The Rolling Stones, Ruby Turner and Mick Jagger's solo album Primitive Cool) as the main guitarist, second guitarist John Staehely (ex-Spirit and Jo Jo Gunne) and bassist Pino Palladino (formerly of Paul Young's and Jools Holland's bands).
Numerous superlatives apply to the craft that the Dear Hunter's Casey Crescenzo has perfected on his ambitious six-part Acts series. On penultimate installment Act V: Hymns with the Devil in Confessional, Crescenzo continues the epic story of the titular character (aka "The Boy") that ominously ended in Act IV with the protagonist at the mercy of the main antagonist, the Priest/Pimp. The narrative remains dense and there's a lot to unpack (multiple callbacks to early motifs and melodies abound), but ultimately, it's a rich experience for those willing to take the plunge. For outsiders, this may seem daunting, but fortunately, the music is as rewarding as the complex events layered within, with tastes of Sufjan Stevens, Radiohead, Arcade Fire, and Silverchair providing just a few reference points…
The Law is the first and only album from the rock supergroup The Law. The Law were an English rock group formed in 1991 by singer Paul Rodgers (ex-Free, Bad Company and The Firm) and drummer Kenney Jones (ex-Small Faces/Faces and The Who). They intended to use different supporting musicians, to allow Rodgers to pursue whatever style he wished. They assembled a core band of studio musicians, consisting of Jim Barber (whose credits include The Rolling Stones, Ruby Turner and Mick Jagger's solo album Primitive Cool) as the main guitarist, second guitarist John Staehely (ex-Spirit and Jo Jo Gunne) and bassist Pino Palladino (formerly of Paul Young's and Jools Holland's bands).