Giovanni Mirabassi released a new album called The Swan And The Storm with a new quartet composed by Lukmil Perez on drums, Clément Daldosso on double bass and a special guest: Guillaume Perret on saxophone.
Beyond These Voices is the Nick Malcolm Quartet’s second CD release in three years. Trumpeter Malcolm has recruited some of the key figures of a new generation of UK musicians working across a shifting, frequently invisible, boundary of composed and improvised music. Seven of the nine tracks are Malcolm compositions, the others are improvised pieces (one by Malcolm and bassist Olie Brice, one by pianist Alexander Hawkins and drummer Mark Whitlam).
Primarily known for his work with the time honored saxophone quartet “ROVA”, Bruce Ackley’s 1999 solo effort The Hearing deserves some special attention and is one of those modern jazz jewels that has seemingly suffered from a lack of publicity and/or widespread exposure. Along with the dynamic rhythm section consisting of drummer Joey Baron and bassist Greg Cohen, the leader of this date performs solely on soprano sax as the overall results prove to be truly rewarding! Essentially, this release signifies modern jazz at it’s best and brightest. No messing around as this potent trio gets to the point in a flurry via the musician’s vigorous and often ferocious interplay, augmented by Ackley’s memorable compositions amid a bevy of twists, turns, circuitous paths and surging developments.
Drummer Otis Brown III is a well-known, in-demand sideman and the founding drummer in Joe Lovano's Us Five. The Thought of You, his debut as a leader, was co-produced with Derrick Hodge. Pianist Robert Glasper, saxophonist John Ellis, trumpeter Keyon Harrold, and bassist Ben Williams – the only one of these men who was not Brown's classmate at the New School for Jazz and Contemporary Music – are the core of this lineup. Bilal Oliver (another schoolmate), Gretchen Parlato, and Nikki Ross all make vocal appearances. Hodge and Brown obviously share a love for the classic Blue Note quartet and quintet sounds of the late '50s through the middle '60s: tight, crisp, clean.