Nightmoves first aired on Channel Seven on May 13 1977. The Seven Network owned exclusive Australian rights to footage from overseas shows such as Midnight Express and decided to launch an adult version of Countdown along the lines of UK's Old Grey Whistle Test, concentrating on live footage rather than video clips, album music rather than pop…
The Church continue their never-ending exploration of inner space on 2014's Further/Deeper, the Australian group's first album in five years, and an impressive return to duty after the band's productive run in the 2000s. Taking a few years to rest and recharge seems to have worked out very well for the Church; this album doesn't find the band exploring much in the way of new and unchartered territory, but it finds them embracing their trademark version of psychedelia – clean but misty, like the calm eye of the aural hurricane as the waves of guitar and keys swirl about – with a welcome sense of vigor and focus.
Four-hour, 3-CD overview of the American music scene in 1967. A dazzling cornucopia of psychedelia, garage punk, folk-rock and sunshine pop that acted as the soundtrack to the Summer of Love (US division).
ANOTHER SPLASH OF COLOUR is the first compilation to document the Psychedelic Revival which hit the British music scene in the first half of the Eighties. This 3-CD set expands upon an original V/A LP, A Splash Of Colour, issued by WEA at the start of 1982 and including many of the Nu Psych scene’s major players: Mood Six, High Tide, Miles Over Matter, The Barracudas and The Times. All the musical tracks from this landmark album now appear on CD for the very first time!
For the uninitiated, the Spiritual Beggars are a three-piece psychedelic groove metal trio from Sweden. Their guitarist, Michael Amott, is best known for his role in doom metal units Carcass and Candlemass. With deep riffing and more precision than speed, he is as heavy as any two speed-demon metal guitarists put together. The Spiritual Beggars' primary influence is mid-period Black Sabbath (say, Vol. IV and Sabbath Bloody Sabbath), but they expand their horizons with each record. The band's sound on this third recording differs from its previous efforts in two ways.
Released in 1973, Stillpoint remains one of the most innovative and enduring progressive albums of the period. The two hit singles released from the album: "Goodbye Lollipop" (the first ever release on the maverick Mushroom label) and "12lb Toothbrush" (the monster crowd favourite, with its distinctive "na na na nanana na" vocal hook) were balanced by the longer, psychedelic blues of album tracks like "Salmon Song" and "Listen To The Morning Sunshine". Recorded in just six days, Stillpoint highlights Madder Lake's distinctive sound: the combination of Fettes' unique (often effects laden) vocals, Mason's understand bluestinged guitar playing, the sparse yet effective use of McKinnon's keyboards and the agile drive of the rhythm section. In addition to the vocal effects the band used fuzz bass and a bass pedal…