On first thought, one might be hard-pressed to find a common ground between Algerian raï music and Latin jazz. But for the pianist Maurice el Medioni, an Algerian-born Jew who left his home for France decades ago as an exile, and the Cuban-born, New York-based percussionist Roberto Rodriguez, the link connecting North Africa and Cuba is a direct one – by way of Spanish Andalusia. World music fusion exercises are more common all the time, and cultural distinctions often become so blurred that the sources are obscured rather than accented.
For their second and, apparently, final album, the group of downtown New York City musicians who had come together under the banner of the New York Composers Orchestra branched out a bit from performing their own compositions in the attempt to construct a kind of repertoire of large ensemble music from various contemporary composers…