Buffalo Tom began life as a trio of pre-grunge, neo-psychedelic guitar maulers owing a heavy debt to Dinosaur Jr. (though one might argue that on Birdbrain they actually beat J. Mascis at his own game), but over the next dozen years they matured into a considerably more dynamic and intelligent band, capable of generating crunching rockers or acoustic ballads with equal precision, all of which possessed heart, soul, and a compassionate intelligence. Asides from Buffalo Tom compiles most of the band's best-known songs, including the top sides of their singles, radio emphasis tracks, a few fan favorites, and a cover of the Jam's "Going Underground" from a 1999 tribute album. While the album isn't sequenced chronologically, which would have made a greater case for their growth over time, it does a superb job of capturing the many sides of their musical personality, and it is both a fine summation of their first 11 years as a recording act and great introduction to one of the better bands to rise from the alt-rock scene in the 1990s.
27-song set. Four songs from 2020’s Letter To You: “Ghosts,” “Letter To You,” “Last Man Standing” and “I’ll See You In My Dreams”. “Last Man Standing” features a new arrangement. “I’ll See You In My Dreams” is performed solo acoustic to end the show. One song from 2022’s Only the Strong Survive: “Nightshift” (written by Franne Golde, Dennis Lambert and Walter Orange, popularized by The Commodores). Concert stalwarts like “Because The Night,” “Dancing in the Dark,” and “Tenth Avenue Freeze-Out” are performed in tighter, shorter versions
Drawing inspiration from late-'60s psychedelia and mid-'90s pop underground acts like Matthew Sweet, Australia's Lovetones formed in the early 2000s with Matthew J. Tow, Matthew Sigley, Serge Luca, and Chris Cobb.
In a way, the Searchers are a footnote. Never entering the upper echelon of British Invasion beat groups, the band nevertheless had legs, outlasting all but the titans of the Rolling Stones, the Kinks, and the Who. The Searchers always flew just below the radar, even if they had something of a renaissance at the tail end of the '70s with a new lineup headed by lead singer – and only constant – John McNally, with his lead guitarist companion Mike Pender directing the band through two superb power pop LPs and their jangle echoing in the stable of Shelter Records, heard strongly in the early records of Tom Petty & the Heartbreakers. They are best known for their earliest hits – 1963's "Sweets for My Sweet," 1964's "Needles and Pins" – which may be because they were their biggest hits but it's also because the Searchers never abandoned their pure pop template throughout their entire career, something that becomes blindingly evident over the course of the four-disc box set Hearts in Their Eyes.