The Nothing to See Here Hotel

Elvis Presley - The Complete Elvis Presley Masters (2010) {30CD Box Set Sony Music, Ltd. Numbered Ed. 88697118262}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 11.4 Gb | MP3 @320 -> 4.79 Gb
Full Artwork @ 300 dpi (jpg) -> 518 Mb | 5% repair rar
© 2010 RCA / Legacy / Sony Music | 88697118262
Rock & Roll / Pop / Rockabilly / Gospel / Folk

This is the definitive collection: all 711 master recordings as released during Elvis’ lifetime, mastered from the original analog master tapes where available. Each recording has been carefully restored to achieve the best sound reproduction ever without compromising the audio quality of the original master. The collection also contains 103 additional rare recordings and a 240-page hardbound book featuring an annotated discography, original album artwork, rare and classic photos, a complete song index and an essay by Peter Guralnick. Housed in a beautiful, limited edition display case, THE COMPLETE ELVIS PRESLEY MASTERS is an indispensable piece of music history and the one collection no true connoisseur should be without.

This 60th Anniversary 60-CD Deluxe Edition celebrates RCA Victor's signing of Elvis Presley-The King of rock 'n' roll.
Features all of the albums Elvis recorded and RCA released in his lifetime: studio, soundtrack, and live. It also includes compilations released that featured unreleased songs or songs new to the LP format.
The Album Collection represents album sales in the U.S. of 135 million! Collectively, Elvis has RIAA certified sales of singles, EPs and albums equaling 25x multi-platinum, 52x platinum and 92x gold awards given for U.S. sales alone! Estimated worldwide sales are in excess of one billion!

Skillfully edited together from the handful of Wall shows Floyd performed between 1980 and 1981 (much of the recordings date from shows at Earl's Court in London), Is There Anybody out There? replicates The Wall live – which, of course, was a replication of the record, only with spectacular visuals. There are two songs not on the studio album – "What Shall We Do Now?," a tune pulled from the record at the 11th hour (early pressings still listed it on the sleeve), plus "The Last Few Bricks," which was an instrumental at the end of the first act that gave the crew time to finish building the wall – but they add nothing to the overall piece. There are no revelations at all, actually, with the possible exception of the layered harmonies on "Outside the Wall," which makes this coda seem like a full-fledged song. Since the show was so rigidly structured, there was little opportunity for the band to stretch out and jam. All of this means that Is There Anybody out There? is The Wall by any other name, and that it isn't for anybody but Floyd fanatics. Will this disappoint the less-dedicated listener? Not necessarily, since anybody familiar with The Wall will likely enjoy it as it's playing. The question is, how often will you put the record on? After all, if you want to hear this music, you'll listen to the studio recording. That doesn't really diminish the worth of Is There Anybody out There?, but it hardly makes it necessary, either. – Review by Stephen Thomas Erlewine

Graham Parker - These Dreams Will Never Sleep: The Best Of Graham Parker 1976-2015 (2016) {6 CDs & 1 DVD9}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.45 Gb
DVD9 -> 6.88 Gb | All Regions | NTSC 4:3/16:9 | LPCM, 2 ch | ~ 147 min | ISO Image
Full Artwork @ 600 dpi (jpg) -> 907 Mb | 5% repair rar
© 2016 Universal Music Catalogue | 00600753713037 / 5371303
Rock / Pub Rock / New Wave / Singer-Songwriter

Career retrospective from Pub Rock’s angriest man Graham Parker, spread over 6 CDs with a DVD featuring a live set at the Brook Southampton from last year’s final tour with the Rumour…LTW’s Ian Canty looks at 40 years of Camberley’s very own Punk Soul brother….. It wasn’t very promising on the face of it. A resentful 25 year old garage pump attendant with a run through the 60s from Mod to Hippy behind him and a headful of dreams about Van Morrison and Dr Feelgood, matched up with what might have been the cream of the Pub Rock scene. But this was after all of their respective bands had singularly failed to make an impact, so together, in 1976, they stood at the doors of the Last Chance saloon. What wasn’t expected was that with their musical power allied to the petrol pump punk’s lyrical smarts and alarming stage presence, they would blow the doors off the hinges. Ladies and gentleman, I give you Graham Parker and the Rumour.