The Nun (2013)

Der niederländische Walzerkönig André Rieu ist wieder da. Nachdem er 2012 pausieren musste, veröffentlicht der derzeit erfolgreichste Tourneekünstler der Welt endlich sein lang erwartetes Doppelalbum André Rieu Celebrates ABBA & Music Of The Night. Während der Arbeit an Music Of The Night, einer wunderbaren Sammlung bisher nicht aufgenommener klassischer Songs aus der Welt der Musicals, Filme und Romanzen, entdeckte André Rieu das beeindruckende Repertoire der schwedischen Supergruppe ABBA und widmet sich nun zum ersten Mal dieser Musik. ABBA Fans weltweit können ihre Lieblingssongs jetzt endlich in noch nie gehörten, wunderschönen Orchesterarrangements erleben.

Richard Wagner, the most controversial figure the arts have ever seen, whose music can move and overwhelm like no other, continues to divide the spirits even today. The year 2013, when we celebrate the 200th anniversary of his birth, is inevitably going to be devoted to the man and his work.
The Complete Wagner Operas offers the best of Deutsche Grammophon, two operas each from Decca and the BBC and EMIs Rienzi.

The box set 83:13, represents an innovative and bold new commitment of White and Black, as it is not common in the sector risk publish a work of this size, with 15 CDs in one box. But the label has chosen to make an effort: this album 83:13 wants to be a tribute and reminder of the past 30 years creating, editing, distributing dance music in Spain and in the world and has a comprehensive collection of topics that monitors progress dance music published by the company.

The box set 83:13, represents an innovative and bold new commitment of White and Black, as it is not common in the sector risk publish a work of this size, with 15 CDs in one box. But the label has chosen to make an effort: this album 83:13 wants to be a tribute and reminder of the past 30 years creating, editing, distributing dance music in Spain and in the world and has a comprehensive collection of topics that monitors progress dance music published by the company.

From 1957-1973 Werner recorded 55 of Bach's church cantatas as well as the St. John and St. Matthew Passions, the Christmas, Easter and Ascension Oratorios, the B minor Mass and the motets. MusicWeb stated, 'Werner's pacing of the (St. Matthew Passion) and his vision of it is compelling. The drama moves inexorably forward and the entire story is most movingly related.'

Wagner at The Met is the first authorized release of Richard Wagner's operatic masterpieces, including the complete Ring Cycle, captured live in historic broadcasts from The Metropolitan Opera.

This 55-CD set chronicles the remarkable Archiv label, begun in 1947. Devoted mainly to early and Baroque music, the recordings presented here, in facsimiles of their original sleeves (a nice touch), cover the period from Gregorian chant to Beethoven’s Fifth and Sixth symphonies, played on period instruments. There are stops in between for a great deal of Bach, music of the Gothic era, the French Baroque (Mouret, Delalande, Rameau, etc), Gibbons, Handel (Alcina, La Resurrezione, Messiah, Italian cantatas), Telemann, Zelenka, Gabrieli, Desprez, Haydn, LeJeune, and plenty of the usual, as well as unusual, suspects. There’s also a final CD with selections of new releases (more Handel, Cavalli, Gesualdo, Vivaldi).

Newly remastered onto 12 CD's and in wonderful, refreshed sound for this 2013 release in honor of Wagner's 200th birthday, this cycle, recorded live in Bayreuth during 1966 and 1967, remains one of the greatest "Rings" on record. Legendary singers Theo Adam as Wotan, James King as Siegmund, Leonie Rysanek as Sieglinde, Thomas Stewart as Gunther, Wolfgang Windgassen as Siegfried, and Birgit Nilsson as Brühnnhilde lead an outstanding cast in this fast-moving and dramatic reading led by expert conductor Karl Böhm.

The Prelude and Fugue in E Minor forms a frame, as it did in Bach’s time, around this program, designed to fit the liturgical format that gave Bach’s music its purpose; the Fantasia precedes the motet on which it is based and follows Cantata BWV 64, which quotes the fifth stanza of Johann Franck’s poem “Jesu, meine Freude.” The recording was made in the Arnstadt church where Bach served from 1703 to 1707 (the 1699 organ has recently been restored), but the two cantatas and the motet date from his first year in Leipzig. This impressive presentation, the first in a series called Bach in Context, is a hardbound book of 84 pages. The notes favor Joshua Rifkin’s understanding of one voice to a part in Bach’s vocal/choral music, the use of a harpsichord as well as the church organ (not the more versatile chest organ), and the liturgical context in which the music was originally sung.