The Outsiders 1983

Legends of the Dark Knight Vol.1 (1989-2007)  Comics

Posted by Coda at Sept. 6, 2019
Legends of the Dark Knight Vol.1 (1989-2007)

Legends of the Dark Knight Vol.1 (1989-2007)
DC Cómics | CBR | Spanish | 224 núm. (Completo) | 3.00 GB Totales

Batman: Legends of the Dark Knight (Volumen 1) es una serie de antología de cómics con Batman, lanzada a raíz de la película de 1989. Fue la primera serie nueva de Batman en curso desde 1983 Batman and the Outsiders (Volumen 1).
Dirigida deliberadamente a los fanáticos nuevos y `` casuales '', la serie consiste casi en su totalidad en historias independientes, que pueden tener entre uno y cinco números, de una amplia variedad de equipos creativos. No hay dos historias consecutivas con el mismo escritor o artista.
Tom Waits - Tales From the Underground: Volume 1-5 (1994-2000)

Tom Waits - Tales From the Underground: Volume 1-5 (1994-2000)
FLAC (tracks) - 1.8 GB | MP3 CBR 320 kbps - 851 MB
6:09:39 | Rock, Blues, Jazz, Folk | Label: PmS Records

In the work of American songwriter Tom Waits, swampy blues, Beat poetry, West Coast jazz, Tin Pan Alley, country, 1930s-era cabaret, and post-Civil War parlor songs meet neon-lit carnival music and the wheezing, clattering, experimental rhythms (often played by makeshift musical instruments from car radios to metal pipes and tin cans, hence his love of Edgard Varese and Harry Partch) form a keenly individual musical universe. It has often been imitated but never replicated.
Tom Waits - The Heart of Saturday Night (1974) [2010, Japan mini LP, WPCR-13775]

Tom Waits - The Heart of Saturday Night (1974) [2010, Japan mini LP, WPCR-13775]
Blues/Jazz/Folk | EAC Rip | Flac(Image) + Cue + Log | MP3 CBR 320Kbps | 11 Tracks
Warner Music Japan | WPCR-13775 | 2009 Remastering | ~264 + 117 Mb | FSonic, FServe
Scans(300dpi, jpg) Included | Scans(600dpi, tiff) -> 564 Mb

If Closing Time, Tom Waits' debut album, consisted of love songs set in a late-night world of bars and neon signs, its follow-up, The Heart of Saturday Night, largely dispenses with the romance in favor of poetic depictions of the same setting. On "Diamonds on My Windshield" and "The Ghosts of Saturday Night," Waits doesn't even sing, instead reciting his verse rhythmically against bass and drums like a Beat hipster. Musically, the album contains the same mixture of folk, blues, and jazz as its predecessor, with producer Bones Howe occasionally bringing in an orchestra to underscore the loping melodies…
Jack Bruce - Live at Rockpalast: Essen, 1980 / Bochum, 1983 / Cologne, 1990 (2019)

Jack Bruce - Live at Rockpalast: Essen, 1980 / Bochum, 1983 / Cologne, 1990 (2019)
WEB FLAC (tracks) - 1,44 Gb | MP3 CBR 320 kbps - 610 Mb | 04:26:31
Blues Rock | Label: MIG music

Jack Bruce (Cream) was guest at Rockpalast in 1980 for the first time – on the occasion of the 7th Rockpalast Night, broadcasted to millions of people all over Europe Live via Eurovision. The line-up was called Jack Bruce & Friends: nobody less than Billy Cobham (Miles Davis, Stanley Clarke) on drums, Clem Clempson (Humble Pie, Colosseum) on guitar and David Sancious (Bruce Springsteen, Santana, Eric Clapton, Sting) on keyboards and guitar. It’s fascinating to watch and listen to these four equitable and brilliant musicians in their blind perfect interplay on stage.

Tom Waits: Albums Collection (1978 - 2009)  Music

Posted by v3122 at March 24, 2014
Tom Waits: Albums Collection (1978 - 2009)

Tom Waits: Albums Collection (1978 - 2009)
EAC | Flac(Image) + Cue + Log & M4A(Tracks) & MP3 CBR 320Kbps
24CD | ~ 7187 or 7209 or 3371 Mb | Scans(jpg, 300dpi) Included
Blues / Jazz / Rock / Cabaret

In the 1970s, Tom Waits combined a lyrical focus on desperate, low-life characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. From the '80s on, his work became increasingly theatrical as he moved into acting and composing…
The Band with The Cate Brothers Band - Live In Tokyo 1983 (2011) [Repost]

The Band with The Cate Brothers Band - Live In Tokyo 1983 (2011) [Repost]
Video: NTSC, MPEG-2 at 4 000 Kbps, 720 x 480 at 29.970 fps | Audio: AC-3 2ch. at 192 Kbps, AC-3 6ch. at 448 Kbps
Genre: Rock | Label: Immortal | Copy: Untouched | Release Date: 11 March 2011 | Runtime: 110 min. | 3,66 GB (DVD5)

For roughly half a decade, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. Their albums were analyzed and reviewed as intensely as any records by their one-time employer and sometime mentor Bob Dylan.
VA - Control I'm Here (Adventures On The Industrial Dancefloor 1983-1990) (2024)

VA - Control I'm Here (Adventures On The Industrial Dancefloor 1983-1990) (2024)
MP3 CBR 320 kbps - 498 MB
3:36:21 | Electronic, EBM, Experimental, Industrial, Synthwave, New Wave | Label: Cherry Red

In the post post-punk aftermath, as electronic rhythms and synthesisers began to dominate the landscape, and with industrial godheads Throbbing Gristle now no more, artists across the UK, Europe and the US began to fuse minimal, emerging proto-house music, dark and Gothic tinged aesthetics and the noise and brutality of industrial music to create a hybrid which proved simultaneously cold, alienated and accessible. Taking it's lead from the dark shadows of cold war politics, governmental control, medical gore and a brutalist futuristic vision, this industrial mutation slid comfortably onto dancefloors catering for those for whom Thatcherism, Reaganomics and Eastern Bloc ideologies provided no hope, producing the most unlikely of clubbing scenes.

Tom Waits @ AvaxHome - Teampage  Music

Posted by Hungry Mind at Oct. 5, 2006
Tom Waits @ AvaxHome - Teampage


Tom Waits - Team Project

Tom Waits @ AvaxHome - Teampage

Tom Waits @ AvaxHome - Teampage


VA - Control I'm Here (Adventures On The Industrial Dancefloor 1983-1990) (2024)

VA - Control I'm Here (Adventures On The Industrial Dancefloor 1983-1990) (2024)
EAC Rip | FLAC (tracks, cue, log) - 1.4 GB | MP3 CBR 320 kbps - 499 MB
3:36:23 | Electronic, EBM, Experimental, Industrial, Synthwave, New Wave | Label: Cherry Red

In the post post-punk aftermath, as electronic rhythms and synthesisers began to dominate the landscape, and with industrial godheads Throbbing Gristle now no more, artists across the UK, Europe and the US began to fuse minimal, emerging proto-house music, dark and Gothic tinged aesthetics and the noise and brutality of industrial music to create a hybrid which proved simultaneously cold, alienated and accessible. Taking it's lead from the dark shadows of cold war politics, governmental control, medical gore and a brutalist futuristic vision, this industrial mutation slid comfortably onto dancefloors catering for those for whom Thatcherism, Reaganomics and Eastern Bloc ideologies provided no hope, producing the most unlikely of clubbing scenes.
VA - Control I'm Here (Adventures On The Industrial Dancefloor 1983-1990) (2024)

VA - Control I'm Here (Adventures On The Industrial Dancefloor 1983-1990) (2024)
EAC Rip | FLAC (tracks, cue, log) - 1.4 GB | MP3 CBR 320 kbps - 499 MB
3:36:23 | Electronic, EBM, Experimental, Industrial, Synthwave, New Wave | Label: Cherry Red

In the post post-punk aftermath, as electronic rhythms and synthesisers began to dominate the landscape, and with industrial godheads Throbbing Gristle now no more, artists across the UK, Europe and the US began to fuse minimal, emerging proto-house music, dark and Gothic tinged aesthetics and the noise and brutality of industrial music to create a hybrid which proved simultaneously cold, alienated and accessible. Taking it's lead from the dark shadows of cold war politics, governmental control, medical gore and a brutalist futuristic vision, this industrial mutation slid comfortably onto dancefloors catering for those for whom Thatcherism, Reaganomics and Eastern Bloc ideologies provided no hope, producing the most unlikely of clubbing scenes.