The Place of Quarantine

Develop your way to strategy, your mindset to tactic, your environment to defense and your body to survive. Be prepared!

Use our advanced security software specifically designed for remote access security. The cybersecurity program that protects your remote desktop connections and your remote access environment.

Use our advanced security software specifically designed for remote access security. The cybersecurity program that protects your remote desktop connections and your remote access environment.

He was born in Istanbul in 1991. His mother is music teacher Füsun Yarkin, his father is Turkish music percussion artist Fahrettin Yarkin. He is the grandson of composer and tamburi Kamuran Yarkin.

Deluxe three CD edition. 20th Anniversary Edition of Manic Street Preachers' seventh studio album 'Lifeblood'. Features many remastered tracks, b-sides, demos and outtakes, new liner notes by John Harris and unseen pictures by Mitch Ikeda. Also included is two brand new remixes of the lead track '1985' by Steven Wilson (Porcupine Tree) and sometime collaborator Welsh artist Gwenno. Described by Nicky Wire as "our most estranged album of all" the record came at a time when the band were reflecting on what they had become and what they could be. The band looked to the music they had liked when they were young for inspiration, New Order circa 'Low Life', Prefab Sprout 'Steve McQueen', Thomas Dolby 'The Flat Earth', early Simple Minds, and the kind of cerebral electronic pop that dominated the early-to-mid 1980s. Wire said at the time "The main lyrical themes are death and solitude and ghosts. Being haunted by history and being haunted by your own past." James Dean Bradfield commented "I loved making Lifeblood, because it was interesting. I loved chasing these other versions of what we were trying to do."

Deluxe three CD edition. 20th Anniversary Edition of Manic Street Preachers' seventh studio album 'Lifeblood'. Features many remastered tracks, b-sides, demos and outtakes, new liner notes by John Harris and unseen pictures by Mitch Ikeda. Also included is two brand new remixes of the lead track '1985' by Steven Wilson (Porcupine Tree) and sometime collaborator Welsh artist Gwenno. Described by Nicky Wire as "our most estranged album of all" the record came at a time when the band were reflecting on what they had become and what they could be. The band looked to the music they had liked when they were young for inspiration, New Order circa 'Low Life', Prefab Sprout 'Steve McQueen', Thomas Dolby 'The Flat Earth', early Simple Minds, and the kind of cerebral electronic pop that dominated the early-to-mid 1980s. Wire said at the time "The main lyrical themes are death and solitude and ghosts. Being haunted by history and being haunted by your own past." James Dean Bradfield commented "I loved making Lifeblood, because it was interesting. I loved chasing these other versions of what we were trying to do."

Use our advanced security software specifically designed for remote access security. The cybersecurity program that protects your remote desktop connections and your remote access environment.

For his new album, Without People, Donovan Woods explains: “Anything but protest music feels out of place right now. In the middle of a pandemic, as the truth of our environmental devastation sinks in, in the thick of protests reshaping our thoughts on policing and crystallizing the reality of white supremacy at work in all corners of our society, it feels silly to write about relationships.

Endless prairies and ocean waves; long drives and highway expanse; dancing, smoke, sex, and physical desire – the core images of Jess Williamson’s new album Time Ain’t Accidental revel in the earthly and the carnal. After a protracted breakup with a romantic partner and longtime musical collaborator who left Williamson and their home in Los Angeles at the start of the pandemic, the album’s reckoning with loss, isolation, romance, and personal reclamation signals a tectonic shift for Williamson as a person and as an artist: from someone who once accommodated and made herself small to a woman emboldened by her power as an individual.