Resonance Records goes out of its way again to unearth yet another significant chapter in jazz history, and once again, it's one that relatively few fans have ever heard. This performance of Jaco Pastorius' Word of Mouth Big Band was captured during George Wein's Kool Jazz Festival at Avery Fisher Hall. It was broadcast on NPR's Jazz Alive program, but this double disc contains the entire performance, with more than 40 minutes of additional music.
Keith Jarrett (born May 8, 1945) is an American jazz and classical music pianist and composer. Jarrett started his career with Art Blakey, moving on to play with Charles Lloyd and Miles Davis. Since the early 1970s he has also been a group leader and a solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, especially Western classical music, gospel, blues, and ethnic folk music. In 2003, Jarrett received the Polar Music Prize, the first recipient of both the contemporary and classical musician prizes, and in 2004 he received the Léonie Sonning Music Prize. His album, The Köln Concert, released in 1975, became the best-selling piano recording in history. In 2008, he was inducted into the Down Beat Jazz Hall of Fame in the magazine's 73rd Annual Readers' Poll.
THE COMPLETE REMASTERED RECORDINGS ON BLACK SAINT & SOUL NOTE is a monographic box-set collection aimed at recounting the most beautiful chapters that revolutionised the history of jazz. This new series was launched in March 2010 with the simultaneous release of four box-sets, including albums by some of the artists who participated in the success of the outstanding labels. A philological work, beginning with the original recordings on multi-track master tapes, patiently integrally remastered paying strict attention to the sound quality.
Seminal early work from Charles Mingus – a session that really shows him beginning to work in tightly arranged, deeply resonant styles – pushing much more deeply towards the brilliance of the late 50s! The set was originally issued on Debut, and was recorded with a great lineup that includes Mal Waldron and the enigmatic George Barrow on tenor. There's a fantastic reading of "Percussion Discussion", played here by Mingus and Max Roach (though the drummer on the rest of the set is Willie Jones) as a drum and bass duet (as opposed to Roach solo, as on a later version.) Also featured are the brilliant "All The Things You Are In C-Sharp", a pivotal track in the Mingus book, and one of our favorites ever by him – plus "Septemberly", "Work Song", and "Jump Monk".
For the last 20 years London-based author and party organiser Tim Lawrence has dedicated himself to excavating the history of New York City party culture and bringing some of the most powerful aspects of that culture to London’s dance scene, from where it has ricocheted around the world. Having conducted the first set of major interviews with David Mancuso, Lawrence started to put on Loft-style Lucky Cloud Sound System parties with David and friends in London in June 2003. In early 2004 he published Love Saves the Day: A History of American Dance Music Culture, 1970-79, which tracked the influence of the Loft on the wider New York DJ, dance and disco scene. In 2009 his biography of the iconic musician Arthur Russell became the first book to map the wider downtown music scene. These beautifully written and politically insightful histories have educated, inspired and celebrated the previously overlooked foundations of contemporary dance music.
This Mosaic edition of Tony`s later Blue Note years w/ his postbop band (1985 - 1992) compiles 5 cd`s - 'Foreign Intrigue','Civilization','Angel Street','Native Heart' and 'The Story Of Neptune', and while it may seem pricey, it`s now cheaper to buy this box than to purchase the titles individually, as they have risen since his passing (2/23/1997). This was a great band and showcased Tony`s skills as a composer as well as reaffirming his status as the most defining drummer in Jazz. It clearly indicates how strong an influence Art Blakey`s band was to Tony`s early development (he used to sit in w/ Art`s band when he was only 15 years old when Blakey`s group played in Boston, Tony`s hometown).