The Power Station

The Power Station is the debut album by the supergroup The Power Station, released in 1985 on Capitol Records. The album peaked at no. 6 on the US Billboard 200 and no. 12 on the UK Albums Chart. All three singles released from the album were Top 40 hits in the United States. An anniversary edition was released 21 February 2005, featuring 7 bonus tracks, as well as a 35-minute DVD. The Power Station was a supergroup formed by Robert Palmer, Tony Thompson (of Chic) and Andy and John Taylor from Duran Duran. They came together in 1984 to record a one-off album, as a respite from the relentless global touring and promotion of Duran Duran. The original plan for this one-album project was for the three musicians (Taylor, Taylor and Thompson) to provide musical continuity to an album full of material, with a different singer performing on each track.

A compilation of the greatest hits from the eighties including: Sinéad O'Connor, Culture Club, Blondie, Duran Duran and many many more!

Collecting the Cars' first five albums into one set, this collection features many of the band's essential songs, including "Just What I Needed," "Moving in Stereo," "You're All I've Got Tonight," and "Drive." For anyone interested in purchasing the bulk of the band's output in one fell swoop, this set offers an easy option.

This box set is the ultimate pop collection, 43 albums featuring many of the biggest hits performed on the legendary pop music chart BBC TV programme Top of the Pops, which ran for a record shattering 42 years from January 1964 to July 2006! The show totalled an amazing 2205 episodes and at its peak attracted 15 million viewers per week! This complete set features a total of 875 tracks, including over 600 top ten hits and over 150 number one's!

After releasing two albums, one a perfect pop/rock-meets-new wave classic, the other a very good follow-up, the Cars were game to try things a little differently on their third album Panorama. With longtime collaborator Roy Thomas Baker behind the boards, the band decamped to the Power Station in New York City and began working on a set of songs that were a little less poppy, both structurally and sonically…

Mick Wayne undoubtedly tried hard to be significant and progressive with his songs on Junior's Eyes' sole album. There were meter changes, skilled psychedelic hard rock guitar riffs, and moods both whimsical and cynical throughout. Although the predominant vibe was bluesy psych-prog, there were also quieter, more acoustic interludes. It doesn't add up to much without memorable hooks or vision, though, and the record fails to stick as a noteworthy effort, even by the standards of obscure late-'60s British psychedelia…