The Priests Alleluia (2016)

Joachim Carlos Martini is obviously a conscientious and intelligent musician. Like Robert King before him, he opts for the overture used in the 1744 revival, as only a continuo part survives of the original overture. Acknowledging that we cannot be certain of what the first performance did or did not include, he also picks and chooses items from the various editions and texts (among them Chrysander, Bernd Baselt and Robert King himself) available to him.