Jonathan Demme's breakthrough movie featured the shaggy energy and affection for marginal American eccentrics that marked his earlier Citizens Band (1977) and such later films as Something Wild (1986) and Married to the Mob (1988). Melvin Dummar (Paul LeMat) is a barely-getting-by Nevada milkman. One day in the early 1970s, while driving down a lonely highway, Melvin picks up a shaggy, bearded bum (Jason Robards Jr.) and offers him a ride into town. Melvin gives the bum a quarter at the end of the ride, and that, so far as Melvin is concerned, is that. The story goes off on a new tangent, involving the on-and-off marriage between Dummar and his contest-happy wife Lynda (Mary Steenburgen).
After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…
After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…
After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. Young's body of work ranks second only to Bob Dylan in terms of depth, and he was able to sustain his critical reputation, as well as record sales, for a longer period of time than Dylan, partially because of his willfully perverse work ethic…