Home Invasion: In Concert At The Royal Albert Hall captures the last show of the three-night run and includes nearly 3 hours of live performance.
"Drive Home" is one of the notable cuts on Steven Wilson's (Porcupine Tree) brilliant The Raven That Refused to Sing and Other Stories, an album that redefined prog for the 21st century. The song's gorgeous meld of Pink Floyd's nocturnal atmospherics, the Moody Blues' melodic majesty, sprawling guitar solos, and Alan Parsons' crystalline production made it a standout track. This audio collection uses the single edit as its title track and leadoff. The set also includes an orchestral version of "The Raven That Refused to Sing" and the song "The Birthday Party" (which was previously only featured on the deluxe book edition of the Raven album). "The Holy Drinker," "Insurgentes," "The Watchmaker," and a live "The Raven That Refused To Sing" are all killer readings taken from a concert in Frankfurt.
Blu-ray + CD set from Steven Wilson featuring unreleased tracks, videos, live recordings and high-definition audio. In February 2013 Steven Wilson released The Raven That Refused To Sing (And Other Stories), his third solo album. The album was a huge critical and commercial success, earning numerous 5 star reviews and charting well across the world, debuting at #3 in the German national chart, #28 in the UK top 40, #57 in the US Billboard top 200, #16 in Holland and #17 in Finland. Steven assembled a virtuoso band to record the album and subsequently embarked on an extensive world tour…
Steven Wilson will release Last Day Of June on December 1. The digital only release is the official soundtrack to the acclaimed PS4/Windows game of the same name.
Steven Wilson fans have been primed for The Future Bites since he released To the Bone in 2017. That record, and the preceding 4½ EP, were deliberately "pop" responses to his three-album dalliance with prog – Raven That Refused to Sing, Hand. Cannot. Erase, and Grace for Drowning. In contrast to the above, The Future Bites is a slick exercise in Wilson's oft-articulated love of synth pop and electronic music. It's a loose concept set about the treachery that rampant consumerism foists upon the world, and the danger a technological society imposes on personal identity…