Sonny Rollins And The Big Brass (1958), Sonny Rollins On Impulse! (1965), Alfie [OST] (1966).
Sonny Rollins And The Big Brass (1958). Big Brass is an appropiate name for the large ensemble arranged and conducted by Ernie Wilkins that accompanies the huge sound of Sonny Rollins. The energy within the leader's gospel-flavored shout "Grand Street" is considerable, while a swinging but no less powerful version of George & Ira Gershwin's "Who Cares" features a choice solo by guitarist Rene Thomas. Also added to this compilation are trio recordings with bassist Henry Grimes and drummer Specs Wright, including a brilliant leisurely stroll through "Manhattan," along with Rollins' tour de force unaccompanied tenor sax on "Body and Soul"…
This is a rather incredible collection: ten CDs enclosed in a tight black box that includes every one of the recordings Verve owns of Billie Holiday, not only the many studio recordings of 1952-57 (which feature Lady Day joined by such jazz all-stars as trumpeters Charlie Shavers and Harry "Sweets" Edison, altoist Benny Carter, and the tenors of Flip Phillips, Paul Quinichette and Ben Webster). Also included are prime performances at Jazz at the Philharmonic concerts in 1945-1947, an enjoyable European gig from 1954, her "comeback" Carnegie Hall concert of 1956, Holiday's rather sad final studio album from 1959, and even lengthy tapes from two informal rehearsals. It's a perfect purchase for the true Billie Holiday fanatic.
Ray Charles' seminal recordings for Atlantic have been boxed once before, as the triple-disc 1991 set The Birth of Soul. That box contained 53 tracks, the best moments of what is arguably the best period of Charles' career, but Rhino/Atlantic's 2005 seven-disc sequel, Pure Genius, doesn't bother with merely the highlights: as its subtitle makes clear, this is The Complete Atlantic Recordings (1952-1959). This is undeniably a major historical release, since it gathers all of the recordings Charles made at his creative peak, not just as a leader, but as a sideman for his saxophonist David "Fathead" Newman and sides he recorded with jazz vibraphonist Milt Jackson.
The Best Of King Curtis 1952-1961 - Saxophone titan King Curtis gets the stellar showcase he deserves on Dave Penny’s latest career-defining set for Fantastic Voyage, continuing the roll which has seen the label raise the benchmark for knowledgeable, expertly-annotated compilations. Over three discs and nearly 100 tracks, Wail Man Wail! traverses the unmistakable tones of the late Curtis Ousley after he arrived from Texas in New York City in 1952, winning amateur night at Harlem’s Apollo before embarking on a recording career which took him to several seminal independent labels and bands with the likes of Lester Young and Lionel Hampton. He settled in New York for 17 years, declaring himself King Curtis and quickly making a name for roaring instrumentals and enhancing countless sessions.
Although he lived most of his life in Nashville, Marty never left the west behind. He proved that he could masterfully reinterpret classic western ballads, as well as write new ones every bit as good as the old ones. His western recordings for both Columbia and MCA are complete here, spanning the years 1958-1979. The set starts with The Hanging Tree, then encompasses the best-selling Gunfighter Ballads albums that included such classic tracks as El Paso, Big Iron, Tonight Carmen, Mister Shorty, and The Cowboy In The Continental Suit, as well as the El Paso sequels like Feleena From El Paso and El Paso City. Marty mixed self-composed epics with many of the greatest vintage western songs to create a tapestry of music that powerfully evokes the old west and the west in transition.