The Seven The Song Is Song

The Seven were a rock group from Syracuse, New York. They were a rock group with elements of jazz and funk. This super obscure album from 1970 features funky horns, percussion and tight vocal harmonies along the lines of Chicago, Blood Sweat & Tears, Santana and Rare Earth. Six groovy originals and three covers Heat Wave (Martha & The Vandellas), Tell Her No (The Zombies) and Song For My Father (Horace Silver). An Upstate New York act, the group's roots go back to an outfit called The Upsetters. They were made up of members from Jeff & The Notes and Jimmy Cavallo & The Houserockers, etc.. Guitarist John Latocha left the group and was replaced by Bob Canastraro.

Had this two-CD set come out, or even been bootlegged, 30 years before its actual release in 2010, it would have been greeted as a revelation…

Barb Wired Tour Vol. 2 is the second of two volumes of Empress Valley’s ambitious nine disc compilation of important tapes from Ron Wood’s New Barbarians side project in support of his solo album Gimme Some Neck. Picking up where The Drug Dealer Tapes Vol. 1 (Empress Valley EVSD 196/200) leaves off, Vol. 2 contains four discs with another hour of the tour rehearsal tape along with two complete shows…

What would singing be without words? When you combine wonderful poetry with exquisite music, the result is magical. In a rare break from the sacred collections they are famed for, this album from The Sixteen features a whole programme of secular music devoted to English partsongs. From Stanford’s cycle of Eight Partsongs based on the sparing yet infectious poetry of Mary Elizabeth Coleridge to Bridges’ lyrically descriptive writing in Finzi’s Seven Poems of Robert Bridges and Imogen Holst’s idyllic Six Part-Songs Welcome Joy and Welcome Sorrow using verses by John Keats, each setting captures the mood of the poem brilliantly.

Here's an excellent Shostakovich chamber program, combining music from different phases of the composer's career as well as introducing two fairly unusual works in combination with a great masterwork, the Piano Trio No. 2 in E minor, Op. 67. This work, written in 1944 as the tide had begun to turn against Hitler's armies in Russia, is perhaps the definitive musical response to the horrors of the Second World War. Its final movement, evoking klezmer music gradually overtaken by darkness, is almost unbearably moving.