The Songwriting Guitarist

This DVD features a tribute concert for the legendary Buddy Holly. Recorded in Austin in 1987, it features Brian Setzer, John Fogerty, Carl Perkins, The Crickets and others.
Buddy Holly is perhaps the most anomalous legend of '50s rock & roll he had his share of hits, and he achieved major rock & roll stardom, but his importance transcends any sales figures or even the particulars of any one song (or group of songs) that he wrote or recorded. Holly was unique, his legendary status and his impact on popular music all the more extraordinary for having been achieved in barely 18 months.

AT THE GATES are innovators. From debut album, The Red In The Sky Is Ours, through comeback stunner, At War With Reality, the Gothenburg-based death metal act have always traversed the left-hand path on their own terms. The Swedes are keenly aware of who they are, where they come from, and how they got to where they are today. In the ‘90s, AT THE GATES spearheaded The New Wave of Swedish Death Metal. In the aughts, then-swansong album, Slaughter Of The Soul, served as a feature-rich treasure chest for a host of upstarts to plunder. When AT THE GATES returned in 2008—a full 12 years after they disbanded—their return was celebrated and the follow-up to Slaughter Of The Soul—now placing handsomely on Top Metal Album Lists—hotly anticipated. Now, four years after At War with Reality, the Swedes are ready to show their indomitable spirit, ceaseless ingenuity, and raw power on new album, To Drink From The Night Itself.

Sacramento-based blues, swing and jump masters Little Charlie & The Nightcats have much in common with their feline counterparts. They take great (musical) leaps and always land on their feet, they're constantly on the prowl (gigging all over the world), and, with all of the various styles of music they play, they seem to have many lives. Their new CD, NINE LIVES, is the ninth album of their remarkable career. As on their previous recordings, they combine unsurpassed musicianship and inventive lyrical vision with their deep understanding of blues and jazz traditions to produce music that is both technically brilliant and soulfully streetwise. "Endlessly impressive," raves the Associated Press. "Marvelously entertaining and brilliantly played," agrees the San Francisco Examiner.

The documentary Willie Dixon: I Am the Blues examines the remarkably influential career of musician Willie Dixon. In addition to an explanation of how his work for Chess records revolutionized blues and rock & roll, the man performs eight songs, including "Wang Bang Doodle," "I Just Want to Make Love to You," and "I Got the Blues."
Willie Dixon's life and work was virtually an embodiment of the progress of the blues, from an accidental creation of the descendants of freed slaves to a recognized and vital part of America's musical heritage.

Florida death metal gods Obituary breathed new life (no pun intended) into the genre when they broke onto the scene in 1989 with their groundbreaking debut, Slowly We Rot. Donald Tardy's breakneck technical drumming and John Tardy's guttural, slithering vocals combined with brutally fast guitars for a sound not quite ever equaled in the death metal world before or since. The Complete Roadrunner Collection 1989-2005 gathers together Obituary's first six studio albums, including their stellar debut, 1992's landmark The End Complete, 1997's Back from the Dead, and more.

Frontiers Music Srl is proud to announce the debut album, “We Belong To The Stars”, from Sweden's Ginevra, a new group comprised of vocalist Kristian Fyhr (Seventh Crystal), guitarist Magnus Karlsson (The Ferrymen, Primal Fear), bassist Jimmy Jay (H.E.A.T.), and drummer Magnus Ulfstedt (ex-Eclipse, Nordic Union). Ginevra came to be after Kristian Fyhr sent Serafino Perugino, Frontiers Records President, some songs he had written for consideration to be used on future Frontiers' label projects. One particular song, 'My Rock N' Roll' jumped out at Perugino and he asked Fyhr if he would be interested in fronting a new band that would craft an entire album in a musical direction illustrated in that song, which was substantially different from Fyhr's main band Seventh Crystal. The final results brought Ginevra's sound under the same big umbrella of excellent Nordic melodic hard rock like H.E.A.T, Eclipse, Crowne, and the like, but without necessarily sounding like those bands.

Described by critics as melodramatic and bombastic, the Mission, as they were known in their native U.K. (their name had to be changed in America owing to a Philadelphia R&B band with the same moniker), nonetheless attracted a core audience of goth rock fans…