Billy Joel teamed with Phil Ramone, a famed engineer who had just scored his first producing hits with Art Garfunkel's Breakaway and Paul Simon's Still Crazy After All These Years for The Stranger, his follow-up to Turnstiles. Joel still favored big, sweeping melodies, but Ramone convinced him to streamline his arrangements and clean up the production. The results aren't necessarily revelatory, since he covered so much ground on Turnstiles, but the commercialism of The Stranger is a bit of a surprise…
"The Stranger," a radio play with musical accompaniment by Sun Ra & His Arkestra, premiered over the Pacifica radio network in the late 1960s, on a program called Mind’s Eye Theater. The exact date is unknown, but 1968 is a consensus guess (as noted in The Earthly Recordings of Sun Ra). Ra’s incidental music, which is tight and atmospheric, surfaces sporadically beneath the dialog, but at no time is featured. Ra is named in the closing credits, and the additional personnel were identified by Ra discographer Robert L. Campbell.