The Swan Silvertones

Jesus Rocked the Jukebox offers a spirited celebration of some of the most foundational songs in American musical history, tracing the evolution of the modern Soul, R&B, and Rock n' Roll genres via the likes of The Blind Boys of Alabama, The Swan Silvertones, The Staple Singers, Sam Cooke, and The Chosen Gospel Singers featuring Lou Rawls.

Various Artists - Chicago Hit Factory: The Vee-Jay Story 1953-1966 (2014) {10CD Set Charly Records CHARLY 915 B}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 3.39 Gb | MP3 @320 -> 1.64 Gb
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© 1953-66, 2014 Charly Records / Vee-Jay | CHARLY 915 B
Rhythm & Blues / Doo-Wop / Blues / Soul / Gospel / Jazz

Celebrating sixty years since the launch of one of the most successful independent record labels in US Popular music. Received wisdom would have us believe that before Motown, no black-owned record company had made a significant impact on the US mainstream. However, the actuality is something else entirely. Way back in the early 50s, long before Berry Gordy had written his first song, VEE-JAY RECORDS - a black, family owned and run, Chicago-based label - was establishing itself via a steady stream of Blues, R&B, DooWop and Gospel hits.

Label-owner Art Rupe was a savvy businessman who knew the black jukebox industry and what made it tick when he started his Specialty label in the late-'40s. This sumptuous five-disc box set contains a bevy of highlights from this seminal R&B/rock … Full Description& roll label. Over the years, Rupe recorded a little bit of everything; early big band jump (the Liggins brothers), down-home blues and zydeco (Guitar Slim, Frankie Lee Sims, Clifton Chenier), gospel (early Sam Cooke and the Soul Stirrers), and doo wop (the Pentagons, Jesse Belvin). But with the discovery of the label's biggest star, Little Richard, in 1955, here is where the real story of rock & roll begins. A box set that no lover of the real thing can be without

Soul Jazz Records’ Holy Church of the Ecstatic Soul: Gospel, Funk and Soul at the Crossroads 1971-83 draws upon the extensive links between black American gospel music and soul music, showing how the sensibilities of gospel artists such as Shirley Caeser, Dorothy Norwood, Andrae Crouch and others crossed over into secular soul music during this period.