The set that made Cray a pop star, despite its enduring blues base. Cray's smoldering stance on "Smoking Gun" and "Right Next Door" rendered him the first sex symbol to emerge from the blues field in decades, but it was his innovative expansion of the genre itself that makes this album a genuine 1980s classic. "Nothing but a Woman" boasts an irresistible groove pushed by the Memphis Horns and some metaphorically inspired lyrics, while "I Wonder" and "Guess I Showed Her" sizzle with sensuality.
Texas Rhody Blues, featuring Jimmie Vaughan and Duke Robillard, is the third Knickerbocker All-Stars CD release. The project was supported by the Knickerbocker Music Center, a non-profit organization formed in partnership with the Rhode Island Philharmonic Orchestra & Music School. The Knickerbocker Music Center will have an exciting performance venue and an exceptional center for music education. This CD has its roots in The Newport Folk and Jazz Festivals of the late 1950s and early ‘60s which turned many white soul searchers on to blues, rhythm and blues, and jump blues. In 1963, Blues at Newport was recorded live at the Newport Folk Festival, which featured many of the greatest folk and delta blues musicians.
For this set, Willie Willis has reprised seven of the songs that appeared on 'Blues Food For The Soul' (1989), in many cases expanding on the originals, and with the addition of keyboards and more use of the piano, giving the songs a fuller sound that complements his voice, which has gained a rawer edge over the last few years, to perfection. His hit single 'It's All Over Baby', is slowed down in tempo, and with it's rolling piano and swirling organ, attains a far jazzier feel than the original, a formula that's also used on 'I've Been A Fool' where a slow-er tempo and the use of that rolling Texas piano at the expense of the horns used on the original, gives the number an altogether tougher feel. 'You Used Me Baby', with it's insistent bass and riffing horns, and the jazzier 'I Love This Woman', conjure up visions of ZuZu Bollin and T-Bone Walker respectively…
Guitarist, composer, arranger, and songwriter Doug Sahm was a knowledgeable music historian and veteran performer equally comfortable in a range of styles, including Texas blues, country, rock & roll, Western swing, and Cajun. Born November 6, 1941, in San Antonio, TX, he began his performing career at age nine when he was featured on a San Antonio area radio station, playing steel guitar…
Having always made records that exist at the margins of descriptive language, this project by Austin, Texas' most spaced-out duo, Stars of the Lid, is their most ambitious to date, featuring 11 tracks parceled over two CDs (or three LPs), four of which are multi-part suites. Taking a step further down the road they embarked upon with Avec Laudanum, the duo have expanded the pure space and black hole vistas they offered on Music for Nitrous Oxide and The Ballasted Orchestra to embrace small melodic fragments that seemingly endlessly repeat through minimally varying textures. The effect can either be soothing ("Requiem for Dying Mothers"), hypnotic ("Broken Harbors"), or unsettling ("Austin Texas Mental Hospital"). The trademark analogue guitar/tape cut ups are ever present; what would normally be considered the sound of a guitar is nowhere in aural earshot…
Looking for Robertson represented on a studio CD that matches the intensity of his live performances? Producer Joe Harley has done it. Harley lets Robertson rip loose, mixing his zydeco roots with his growing years breathing Texas fire. Joining him on the cattle drive are Little Feat's Richie Hayward and Bill Payne, Bob Glaub (John Fogerty), and fellow Texan Joe Sublett of the Texacali horns.
Blues-rock with a distinct Texas edge is Mark May's thing. His playing recalls various Texas legends like Johnny Winter and Albert Collins, while always skirting the rock speed-demon side of the musical equation. This outing finds him surrounded by his regular rhythm section of Dan Cooper on bass, Travis Doyle on organ and Greg Grubbs on drums. May shares guitar soloing duties throughout the album with Alan Haynes ("Don't Give Up"), Billy Wells ("Mercury Blues") and Larry McCray (an impassioned Albert Collins duel on their mentor's "The Lights Are On, But Nobody's Home"), producing fireworks with every trill and bent note. Also noteworthy are several tracks featuring the Memphis Horns, who shine brightly on "Icehouse Special" and the soul ballad "Took Me By Surprise." When May keeps his playing roped in and restrained, the musical results are well worth a second listen.