The Things We Make: The Unknown History

It is a hefty box in every sense: 13 CDs, supplemented with two DVDs, accompanied by a gorgeous hardcover book and a variety of tchotchkes, including a poster that traces the twisted family trees and time lines of the band and, just as helpfully, replicas of legal documents that explain why the group didn't retain rights to its recordings for years…

Despite the group's limited commercial success, there have been several Sorrows CD compilations. Why should you get this one, whether you already have Sorrows collections or are looking for the best Sorrows anthology? Well, the 30 tracks do include everything essential from their mid-'60s prime, including both sides of their seven 1965-1967 singles; the stereo version of their 1965 album Take a Heart, which included a couple songs not on those 45s, as well as slightly different, re-recorded versions of some numbers that also appeared on singles, and four outtakes. That in fact totals up to almost everything the Sorrows recorded in the mid-'60s, not merely their best tracks, though it does omit some foreign language versions and outtakes that have appeared on previous compilations. More importantly, however, it has a 16-page booklet that's amply illustrated with vintage photos and clippings…

Things that don't fit neatly into pigeonholes have always had a hard time, and so it has been with the saxophone; Hoffnung's string-tuba would have had very big problems. Sax was a tireless inventor: his plans for a monster canon, and a device for playing loud music from Parisian high ground never bore fruit, but the former anticipated Saddam Hussein and the latter, scaled down, is with us as Muzak. Though the saxophone has never found a regular place in the orchestra it has nevertheless captured the interest of a long line of composers; a square peg doesn't need to fit into any orchestral round hole when it is centre-stage.