The Things You Kill

Frank Falenczyk loves his job. He just happens to be the hit-man for his Polish mob family in Buffalo, New York. But Frank's got a drinking problem and when he messes up a critical assignment that puts the family business in peril, his uncle sends him to San Francisco to clean up his act. Frank is not a touchy-feely kind of guy, but he starts going to AA meetings, gets a sponsor and a job at a mortuary where he falls for the tart-tongued Laurel, a woman who is dangerously devoid of boundaries. Meanwhile, things aren't going well in Buffalo where an upstart Irish gang is threatening the family business. When violence erupts, Frank is forced to return home and with an unlikely assist from Laurel, faces old rivals on new terms.

Frank Falenczyk loves his job. He just happens to be the hit-man for his Polish mob family in Buffalo, New York. But Frank's got a drinking problem and when he messes up a critical assignment that puts the family business in peril, his uncle sends him to San Francisco to clean up his act. Frank is not a touchy-feely kind of guy, but he starts going to AA meetings, gets a sponsor and a job at a mortuary where he falls for the tart-tongued Laurel, a woman who is dangerously devoid of boundaries. Meanwhile, things aren't going well in Buffalo where an upstart Irish gang is threatening the family business. When violence erupts, Frank is forced to return home and with an unlikely assist from Laurel, faces old rivals on new terms.

The creator of The Wire turns his attentions from the war on the streets to the war in the desert with this seven-part HBO miniseries following the Marines of First Recon Battalion as they attempt to survive the first forty days of the Iraq War. Based on the award-winning book by Rolling Stone reporter Evan Wright, who witnessed the confusion of war firsthand while embedded with the First Recon, Generation Kill follows the marines as they attempt to contend with equipment shortages, incompetent commanding officers, constantly shifting Rules of Engagement, and a strategy that's never quite clear. Real life Iraq War veterans Sgt. Eric Kocher and Cpl. Jeffrey Carisalez serve as technical consultants on a series featuring First Recon Marine Sgt. Rudy Reyes as himself.

REBELLION! The political and cultural tumult of the early 1960s shook Japan as it did the rest of the world. Japanese filmmakers responded to the changing times by disguising themes of dissent in the traditional form of the swordplay film, or chanbara. Previously populated by heroic samurai, self-sacrificing ronin, and historical figures who exemplified noble Japanese virtues, the genre began embracing a new kind of hero, or antihero: the lone outcast, distrustful of authority but maintaining a personal code of honor. These four classic films, from four masters of Japanese cinema, turn a genre upside down, redefining for a modern generation the meaning of loyalty and honor, as embodied by the iconic figure of the samurai.

After a massive shootout, a mysterious stranger (Van Damme) arrives at a local hospital on the brink of death. Then, a foreign gang brazenly comes to the hospital to hunt him down. His nurse, the sole surviving witness to the follow-up shootout, must face an FBI interrogation that unlocks a plot of international intrigue and revenge. With enough twists and turns, KILL'EM ALL will keep you guessing until the final bullet is fired.

One of the most important filmmakers to emerge from Japan's cinematic golden age, Masaki Kobayashi is best remembered today for his 1959 epic The Human Condition, but that is just one of the blistering films he made in a career dedicated to criticizing his country's rigid social and political orders. He first found his voice-rebellious, angry, engaged-in the fifties, following his life-altering experiences as a soldier in World War II. Includes "The Thick-Walled Room," "I Will Buy You," "Black River" and "The Inheritance."

In the early 1940s, Alan Ginsberg is an English major in Columbia University, only to learn more than he bargained for. Dissatisfied by the orthodox attitudes of the school, Alan finds himself drawn to iconoclastic colleagues like Lucien Carr, William S. Burroughs and Jack Kerouac. Together, this gang would explore bold new literary ideas that would challenge the sensibilities of their time as the future Beat Generation. However, for all their creativity, their very appetites and choices lead to more serious transgressions that would mark their lives forever.

Set on the Western frontiers of the USSR in 1942, two soldiers are ordered to kill a suspected collaborator. The innocent suspect desperately tries to save his honour. Faced with his enemies deep in an old forest, where there is no difference between treason and heroism, the main character has to try to make a moral choice in rather trying circumstances.

During the WWII battle of Stalingrad, two snipers, a Russian, and a German, are locked in a battle of wills and marksmanship, while the Russian is boosted to the status of hero by a political official.