It's not quite rock, it's not quite country, not quite lounge - it's unique. It's Lee Hazlewood, that's what it is. This 2-CD set contains all his solo recordings for MGM from 1965-67, including the rare Something Special" LP, and comes with a fully illustrated 20-page biography."
This is another of the early issue George Horn CCR remasters from Fantasy Records and has a DR13.
The Traveling Wilburys built upon George Harrison's comeback with Cloud Nine and helped revitalize the other supergroup members' careers, setting the stage for Bob Dylan's 1989 comeback with Oh Mercy, Tom Petty's first solo album, Full Moon Fever, produced by Jeff Lynne (sounding and feeling strikingly similar to this lark), and Roy Orbison's Mystery Girl, which was released posthumously. Given the success of this record and how it boosted the creativity of the rest of the five, it's somewhat a shock that the second effort falls a little flat. In retrospect, Vol. 3 plays a little bit better than it did at the time – it's the kind of thing to appreciate more in retrospect, since…
Preserving newly written Bob Dylan songs for copyright is the reason why the Band's Garth Hudson rolled tape at Big Pink but The Basement Tapes were something much more than songwriting demos. Greil Marcus dubbed it a celebration of the "Old, Weird America" in his 1997 book Invisible Republic, connecting these songs to Harry Smith's Anthology of American Folk Music, adding an extra layer of myth to tapes that were shrouded in mystery from the moment bootlegs started to circulate. The Basement Tapes Complete strengthens portions of that legend while simultaneously puncturing it. Certainly, the six-disc box – its first five discs assembled according to Hudson's numbering system, with the sixth disc collecting sessions discovered later – feels substantially different from the LP released in 1975, where the overall picture was distorted by Robbie Robertson adding sometimes significant overdubs and including Band recordings that weren't cut during those seven months in 1967.
Coasting on the success of Some Girls, the Stones offered more of the same on Emotional Rescue. Comprised of leftovers from the previous album's sessions and hastily written new numbers, Emotional Rescue may consist mainly of filler, but it's expertly written and performed filler. The Stones toss off throwaways like the reggae-fueled, mail-order bride anthem "Send It to Me" or rockers like "Summer Romance" and "Where the Boys Go" with an authority that makes the record a guilty pleasure, even if it's clear that only two songs – the icy but sexy disco-rock of "Emotional Rescue" and the revamped Chuck Berry rocker "She's So Cold" – come close to being classic Stones.
Best of Rare Cult, the companion piece to the Cult's expansive box set Rare Cult, features an interesting collection of rarities, unreleased material, B-sides, studio experiments, and just plain throwaways.
As part of Liszt’s anniversary year Hyperion turns to some of the composer’s most underrecorded and underperformed works. Liszt’s piano music is so much in the foreground that his works for orchestra have been almost forgotten. Here we present a fascinating selection.