The Times Times 2 20 March 2020

Roger and Brian Eno explore the nature of sound in their first ever duo album, Mixing Colours. Set for international release on 20 March 2020 in digital, vinyl and CD digi-pack formats, their Deutsche Grammophon debut is a major milestone in their ongoing creative collaboration. The album’s eighteen soundscapes invite listeners to immerse themselves in the infinite space that lies below their surface.

sophomore record ‘All Or Nothing’ saw the band team up with the legendary Butch Vig to record in Los Angeles. It achieved Top 20 in both the UK and Germany. In March 2020, The Subways will hit the road with a run of headline dates. Frontman Billy Lunn explains further: “Nearly fifteen years ago, when Young for Eternity was released, Josh and Charlotte were 18 and 19 years old, and I was 20. Touring our debut album was for us an adventurous explosion of excitement, just as every tour since then has been. In 2020, we get to relive that initial excitement when we embark on the Young for Eternity tour to play the album in full. None of us can truly express just how thrilled we are that we get the chance to do this.”

Simply one of the greatest rock singers of our time, Jorn Lande returns with a second installment of covers of classics from artists and bands that have meant something special to him and helped forge this talented man's own unique style. Includes covers of songs by DIO, Foreigner, Bryan Adams, Russ Ballard, Don Henley, Deep Purple, and more! Jorn is a Norwegian hard rock and metal band fronted by vocalist Jørn Lande. Other members include guitarist Tore Moren, bassist Sid Ringsby, drummer Francesco Jovino and keyboardist Alessandro Del Vecchio. The band was established in 2000 by Lande.

Felis Catus and Silence is a breakthrough release for Tokyo composer-guitarist Leo Takami, following the milestone albums Children’s Song (2012) and Tree of Life (2017). Takami counterpoints the soothing aesthetics of prime-era Windham Hill New Age guitar-heroism with meditative, intellectual compositions comprised of ambitious, process-oriented arrangements. While Takami largely wears his genre influences on his sleeve – jazz, classical, Japanese gagaku – the influence of ambient music is a tacit foundation of his work. Working diligently outside of any established communities for fringe musics, Takami conjures this association through a patient focus on generous musical intervals.

The expanded edition, out July 17th, includes six new tracks along with “Pewter,” previously only issued as a bonus track in Japan. The new song titles are color-based as well: “Moss,” “Violet,” “Vermilion,” “Marble” and “Malachite.”