A limited-edition 55-CD set of legendary and critically acclaimed recordings celebrating the famous PHILIPS heritage. An alliance of great artistry and superb sound. Classic-status albums spanning over half a century of recording and showcasing a wealth of international talent.
An unrivaled collection that that embraces all musical genres - from solo piano and chamber music through to large scale choral works and opera.
Founded in 1998 by harpsichordist and conductor Matthew Dirst, Ars Lyrica Houston offers world-class performances of music from the 17th and 18th centuries on period instruments. This CD follows their previous release on Sono Luminus, Marc’ Antonio e Cleopatra (DSL92115) which was hailed by Early Music America as “a thrilling performance that glows in its quieter moments and sparkles with vitality,” and was nominated for a GRAMMY® Award for Best Opera 2011.
A limited-edition 55-CD set of legendary and critically acclaimed recordings celebrating the famous PHILIPS heritage.An alliance of great artistry and superb sound. Classic-status albums spanning over half a century of recording and showcasing a wealth of international talent.An unrivaled collection that that embraces all musical genres - from solo piano and chamber music through to large scale choral works and opera. Music that spans more than two centuries of masterworks from Bach Concertos and Schubert Lieder to twentieth-century masterpieces by Stravinsky, Bartok and beyond.
What would it mean to 'compose like a woman'? The present collection answers the question, in a literal sense, while undoing the premise on which the question was asked in the first place. In social and historical terms, it means enjoying privileges of upbringing, education and/or wealth that were historically denied to the vast majority of women. It means, on the part of the women represented here, a single-minded determination in pursuit of their vocation, helping them to overcome prejudice and sexism in a cultural, social and political milieu that has consistently denied women the opportunity to find and express their own voice in music. Only with movements of emancipation in the last century, and much more rapidly in the last 50 years, has this situation begun to be addressed and corrected.What composing like a woman does not mean - as the music in this collection makes clear - is a definable set of qualities or characteristics to the music itself which would distinguish the work of female composers from the music composed by men.
What would it mean to 'compose like a woman'? The present collection answers the question, in a literal sense, while undoing the premise on which the question was asked in the first place. In social and historical terms, it means enjoying privileges of upbringing, education and/or wealth that were historically denied to the vast majority of women. It means, on the part of the women represented here, a single-minded determination in pursuit of their vocation, helping them to overcome prejudice and sexism in a cultural, social and political milieu that has consistently denied women the opportunity to find and express their own voice in music.
A Guide to Period Instruments: 200 pages full colour book + 8 CDs. Languages: French/English/German. This Guide to Period Instruments endeavours to answer the questions that every lover of early music has about the instruments used in these periods of music history. Text and recorded excerpts describe the origin and the development of every musical instrument from the Middle Ages to the end of the 18th century and place them in their historical context. There is a completely new presentation booklet, over 200 pages long and abundantly illustrated, as well as eight CDs of recorded examples of the instruments that shed new light upon major periods of music history.
Generally speaking, a souvenir is a token of remembrance, a symbol of a past that is meaningful to its creator, dedicatees, addressees, and the whole community for which it is created. A souvenir may quote, recall, evoke, imply, et al., and the realization of these potentialities is always strictly connected with the what, the how, and the why of its existence, structure, and creative/manufacturing process. As such, along the centuries and throughout the cultures of the world, the souvenir has been actualized, experienced, shared, and interpreted as a personal keepsake, a moral memento, a commercial reminder, a socio-political narrative, and so on.